Julie Read: Superficial or Inherent
Streetlevel Photoworks, Glasgow
2 September 11 October
Streetlevel Photoworks, Glasgow
2 September 11 October
Lee Corner interviews Graham Fagen about his commission in Kosovo for the Imperial War Museum.
Amanda Fielding looks at the activities of Johanne Mills and provides insights into the versatility of the contemporary artist.
Video works rarely entice you to watch the whole thing. Graham Fagen’s Radio Roselle, in contrast, is one you want to keep watching. In a darkened, chair-lined room – more club mock-up than gallery space – a large screen depicts […]
The University of Gloucestershire and The Jerwood Charitable Foundation recently announced the winners of this year’s Jerwood Drawing Prize, selected from a severty-five strong shortlist. First prize of £5,000 went to Adam Dant, second prize of £3,000 to Ansel Krut […]
An artist’s recipe book
Susan Sloan took up the post of artist-in-residence at the National Centre for Computer Animation (NCCA) at Bournemouth University in January 2002 after completing an MPhil in 3D Motion Graphics and Virtual Prototyping at Glasgow School of Art. Her background […]
With a long history of working with artists, Habitat’s art programme provides the opportunity of prime viewing space that acts as a springboard for young artists.
Seven visual arts spaces collaborate for the first time across Glasgow in a bid to build new audiences for the visual arts. Taking place 10-14 April and coinciding with the Glasgow Art Fair, RAW: Real Art Weekend aims to enhance […]
Moira Jeffrey meets Callum Innes in his Edinburgh studio to discuss his career development to date.
Coming from Macedonia, a country where sixty to seventy percent of the land is forest, the immediacy of nature is a significant element of my working practice.
In the July 2001 issue of [a-n] MAGAZINE Cleveland Arts advertised for an artist to work on a residency, collaborating with Mental Health Service users in Stockton-on-Tees. Sarah Nicholson was chosen to lead the residency and a support role was given to recent graduate Kate Allan, who talks here about confronting mental health stereotypes.
The UK’s seen a noticeable increase in professional development schemes for artists, encompassing training, mentoring, networking and information services. There is an obvious cross-reference to the government’s endorsement of ‘lifelong learning’ as a principle, encouraged through the offer of individual learning accounts for all. These moves increase opportunities for the kinds of artistic development that incorporates developing and honing skills, accessing facilities and ultimately furthering career strategies. The results are more than just CV embellishment. By providing points of crossover between artists, such schemes contribute to peer support systems and help to address the potential isolation of artists. Here, three individuals involved in artists’ professional development matters describe some of the resources around, and discuss how artists are making the most of them.
Susannah Thompson discusses ‘Vault 2001’ and considers the implications of visual arts programming within a multi-disciplinary venue.
Since graduating from Glasgow School of Art in 1992, I have pursued a parallel career as a practising artist producing work for exhibition and as a tutor. I am currently a part-time tutor at the Visual Arts Studio @ Tramway, […]
A recurring issue for artists is the constant search for a suitable space in which to work and exhibit. Artists have increasingly addressed this through improvisation and adaptability, to the point where spaces run by artist collectives have become almost synonymous with formerly disused (or unwanted) spaces. As Malcolm Dickson noted in his comment on artist-run spaces (October issue) – “The motivation now is more pragmatic by necessity, in that you just have to do it in order to get work shown (whether your own or other artists)”.
Kevin Hunt explores the nature of temporariness and expiration, morphing and longevity in artist-led initiatives. Written to coincide with the launch of the Artist-Led Hot 100 (version ii) and Assembly Liverpool, May 2017.
Steve Dutton discusses the outcomes of a-n’s Artist-led Bursaries, awarded to six artist-led groups in 2017 to explore how artists and artists’ groups adapt to navigate turbulent cultural and political landscapes.
After a busy 2012 of solo shows, festivals and art fairs; we talk to Scottish artist Kevin Harman about his career since graduating from Edinburgh College of Art’s MFA in 2010. And pick his brain on art education today.
In April 2010 six young people from North Glasgow were given the unique opportunity to explore life in a completely different way and to interpret what they saw using photography within contemporary art.
Artists and designers embracing digital learning, production and distribution.
A selection of projects that focus on the development of artists’ practice and their engagement with local communities.
In these times of austerity, a-n Magazine has compiled a catalogue of money-saving ideas for freelancers that have been tried and tested by our readers.
Richard Taylor talks to an artist with added arts professional experience about the role of the studio in research-led practice and the importance of cultural discourse.
Jack Hutchinson is an artist, writer and critic. He studied MA: Drawing at Wimbledon School of Art (2006-07), receiving a Professional Preparation Master’s Award from the Arts and Humanities Research Council. Following graduation he has contributed regularly to a-n Magazine […]