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Jane Watt discusses contemporary approaches to the creation of public monuments.

Ben Woodeson profiles the intensive international summer residency at Skowhegan School of Painting and Sculpture, USA.

This year’s Venice Biennale sees the first separate national presentations from Wales and Scotland. Gordon Dalton and Graham Ramsay preview the two country’s contributions.

Gothenburg is a sophisticated city – with a population roughly the same as Glasgow, and reminded me of Amsterdam with its bike paths, cafés and friendly atmosphere. There are fabulous parks, and the islands (where cars are banned and the […]

Glasgow-based artist Ben Woodeson profiles the Canadian artist’s initiative, Contemporary Art Forum, Kitchener (CAFKA).

Su Grierson and Diane Maclean report on their activities as co-organisers of Looklook.

David Butler discusses live art support structures and their relevance to other arts sectors.

Moira Jeffrey visits the Scottish Highlands and Islands to see how a bid for European Capital of Culture is affecting artists and art organisations.

Government enthusiasm for involving young people in arts activities has focused the attention of many galleries. Kate Tregaskis reports from Scotland on recent debates around programmes abroad and raises some questions about good practice.

Kate Tregaskis discusses recent seminars exploring education work involving artists and the effect this has on artists’ practice.

The rise of independent artist-run spaces across the UK, and a seemingly impenetrable gallery circuit in London, appear poles apart. Gordon Dalton in Edinburgh and Tim Birch in Manchester visit two young, ‘commercially-minded’ spaces that have picked up on this, and are encouraging an art market in exciting and challenging contemporary work outside London.