Chasing the Shadow
John Plowman unpicks a new book on collaborative practice by Nuno Sacramento and Claudia Zeiske.
John Plowman unpicks a new book on collaborative practice by Nuno Sacramento and Claudia Zeiske.
Is surface texture, pattern and ‘the natural’ an escape or a trap? Rosalind Davis talks to Andrew Bryant about this and other questions in her work written about in her Artists talking blog.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artists Yoke and Zoom and Susan Miles of ACORP give their accounts of a cultural regeneration project with a difference – converting a railway station’s disused toilets into an art gallery.
Sonya Dyer reports from ‘Hospitality’ the third event in the Artists and curators talking series, held at East Street Arts: Union 105 in Leeds, and asks ‘What is the relationship between hospitality and intimacy?’.
Sarah Rowles examines how conversation and discussion can be considered an education in contemporary art.
Terry Smith discusses the Experimental Art School.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artist David Cotterrell and Projects Director Carolyn Black reflect on the realisation of a unique and demanding work for the Forest of Dean Sculpture Trail.
To stand the test of time, arts organisations re-immerse themselves into their values to stay ahead and the Centre for Contemporary Arts (CCA) in Glasgow is no exception.
The Open College of the Arts (OCA) launched Europe’s first MA in Fine Art by distance learning in January.
A selection of forthcoming open exhibition competitions, bursaries and prizes for artists.
Savage, I’m a Fraud, 2010.
Antonia Dewhurst talks to Degrees unedited Online editor Richard Taylor during her final year at Coleg Menai, Bangor, North Wales.
Following a residency in Sweden, London-based artist and blogger Stuart Mayes relocated to Stockholm. Here, he talks to Andrew Bryant about this move, working intuitively and developing confidence in his practice.
Andrew Bryant interviews artist Rob Turner about the informality of writing in a blog form, two-way dialogue and how blogs can become works in their own right.
In June 2010, Darlington-based photography collective Wideyed was granted a NAN Go and See bursary to travel to Belgrade for research and development. Emilia Telese talks to Lucy Carolan of Wideyed about the bursary and its impact on the group.
Given the voracious and swift nature of the cuts brought in by the current government, it is unsurprising that artists are already feeling the effects.
There’s a fine line between art making for its conceptual purpose and for its commercial value. Janet Hollins’ MA seems to offer opportunities to pursue both, but how does her blog tell the story? Richard Taylor investigates.
Engage/Enquire’s ‘The Art of Influencing Change, Economies and Ecologies’ at Towner Art Gallery, Eastbourne and NALGAO’s annual conference in Brighton.
The embellishment of international study resounds with the affect of writing and the scripture of applied materials to define a multidisciplinary art practice: but how do you pull yourself away from the developed peer structure of art school?
In the twenty-five years since its foundation, Castlefield Gallery has evolved, adapted and outlived many of the buzz words first used about it, but one thing has remained absolutely constant – its aim to support artists.
A-n and Axis are launching a new programme of dynamic, practice-led discussions on hospitality, space and contemporary art making, researched and directed by artist, curator and writer Sonya Dyer. Here, she sets out her thinking for the programme.
Man & Eve, London
1 July – 14 August
In the lead up to the Government Comprehensive Spending Review, the proposed closure of the UK Film Council and The Museums, Libraries and Archives Council was communicated to most through an announcement in The Guardian in July¹.
2010 Fine Art Photography graduate Joanna Waclawski talks about studying at Glasgow School of Art (GSA), and reflects on how re-sitting a year amplified her perspective on photography as a medium.
Thoughts from artists and arts professionals about how cuts in public spending will affect their future working pattern. Plus April Britski gives an account of how recent governmental decisions to cut arts funding have affected Canadian artists.