The Arts Foundation
Manick Govinda explores The Arts Foundation’s numerous awards for individual artists and looks at the impact they have on the receipients.
Manick Govinda explores The Arts Foundation’s numerous awards for individual artists and looks at the impact they have on the receipients.
Frances Lord pulls together themes and strands that emerge from sixteen newly-commissioned interviews, which reflect the sheer diversity of working practice within the applied arts.
Artists Sarah Craske and Stacy Keeler and curator Jessica Baum talk about the challenges of working together in the latest in our collaborative relationships series.
Frances Lord explores Michael Marriott’s career and practice which involves exhibition design, curating, writing, product and furniture design and installation.
Leeds Met Gallery, Leeds
18 April 17 May
Frances Lord profiles Ismini Samanidou who designs woven fabrics for interior spaces, ranging from one-off pieces to limited edition textiles.
Penny Jones talks to Deirdre Nelson about her textile-based work, often made in response to museum collections or site histories and informed by local communities, and residencies in the Scottish Highlands and Australia.
Polly Harknett on the practice of emerging jeweller Lina Peterson, including creative/work balance and exploration of markets for her work.
Frances Lord profiles Linda Florence, who creates wallpapers, flooring surfaces and interior textiles for domestic and commercial interiors, as well as temporary installations in transient materials.
Peter Freeman makes light sculptures and installations that articulate public spaces. Kate Stoddart explores his practice.
Kate Stoddart profiles Andrea Walsh, discussing the development of her practice in ceramics and glass, work/life balance and the outcomes of a residency at Cove Park.
Manick Govinda talks to Lynette Yiadom-Boakye about her practice and the impact of awards from deciBel and The Arts Foundation.
Hannah Pham, a graduate who featured in a-ns Degree show supplement 98 publication talks about coming full circle over the past decade and spending time in Japan.
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.
I am writing to lend support to the ideas expressed in the letter How do other artists feel about unpaid public art competitions? (a-n Magazine, April).
PAD gallery, Preston
27 February 29 March
Charlotte Frost on the various support systems run by Artsadmin, including information about its head of operations: Toynbee Studios, and examples of several projects it has produced with the likes of: Graeme Miller, Station House Opera and Gary Stevens.
Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.
Lauren Healeys overview of the Professional development through networking scheme.
Introduction to Artists’ strategies and self-management
Artist-led strategies to support professional development have often proved to be the most successful.
The media is awash with commentary about climate change, a serious issue that of course affects every one of us.
Are you thinking of applying for a grant or award? Over £2.3m was openly offered in these categories through a-ns Jobs and opportunities last year. As its a highly competitive activity, weve compiled this guide to making applications, including some top tips from a range of experienced artists, curators, and arts professionals…
Temple Bar Gallery, Dublin
16 January 16 February
and other shows in Ireland
Critical attitudes on how art practice is dividing or uniting local, international and global practices has been alluded to since the beginnings of modernism; in 2008 these issues remain at the forefront of response to post-modern visual culture.