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The Northern Art Prize
Leeds Art Gallery
22 November– 10 February
You searched for good practice - Page 19 of 27 - a-n The Artists Information Company
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Editorial – 2007 December
It’s been fascinating to watch the lively turnover of postings on Interface1 since its launch, both critical writing posted to Reviews unedited and a-n subscribers posting details of their upcoming shows on Interface What’s on.
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News archive
Gallery presents fresh mix
The new developments at the Newlyn Art Gallery and The Exchange have had a mixed response from local and national media, with three main strands.
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Research paper
Biennials and city-wide events: Airport Art: New Internationalism or Global Franchise?
Airport art, as I now like to call it, is the major problem facing biennales, biennials and art festivals today.
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Research paper
Biennials and city-wide events: Something, like nothing, happens anywhere1
There are now over 200 contemporary art biennials across the globe, compared with four or five or twenty years ago.
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Firing thoughts
There is something about a ceramics conference that can send a shudder up the spine.
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Design feature
Ceramic artists Elise Austrin, Karen Atherley, Jo Davies, Akiko Hirai and Joanna London are amongst exhibitors in ‘Handmade 07’, being held at Chelsea Old Town Hall 27-30 November.
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Taking the Matter into Common Hands
Black Dog Publishing
Edited by Johanna Billing, Maria Lind and Lars Nilsson
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Profile
Judy Freya Sibayan
Sara Haq on Judy Freya Sibayan, performance and conceptual artist, curator, publisher and museum.
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Profile
Studio Voltaire
S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.
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Profile
Vane
S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.
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Profile
Wysing Arts Centre
What gives a particular place its characteristics? Why are some cities hip and others lame? How does a neighbourhood change from good to bad?
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Profile
Kypros Kyprianou
Sally Davies profiles Kypros Kyprianou, discussing his interest in scientific themes, collaborative working and residencies at Artsway and Allenheads Contemporary Arts.
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Discussion
What is critical writing?
Chris Brown, Reviews Editor for a-n Magazine, talks to a selection of writers about the practice and pitfalls of taking up the pen.
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Marketplace
Patricia Fleming discusses the relationship with the art market for artists and curators in Wales and Scotland.
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Our survey says
Ayling & Conroy survey the motives and trends that effect how UK commercial galleries select artists to exhibit.
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Rare diamonds: A beginners’ guide to the art market
Guyan Porter talks about the socio-economic dynamics of art markets and deconstructs notions of the art market in the UK.
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What does it mean to be a successful artist?
Paul Stanley and Rachel Cattle in conversation about what defines success.
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Research paper
Boxed in
Sonya Dyer’s publication questions assumptions about non-white artists, curators and administrators that shape the current diversity landscape, and suggests alternative ways forward.
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Guide
Establishing a studio group
This guide by Jonathan Waring covers the process of establishing a studio group: from having the initial idea, bringing together a likeminded group of artists and getting hold of a space, to running the studios effectively on a day-to-day basis.
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The arts debate
Since November 2006, Arts Council England has been asking all across the land to add their views on the public value of the arts.
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Masterclass
Since graduating in 1993 I have made outdoor sculpture in my studio located on a farm in Kent.
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Diversity debated
Cultural diversity is a term that has pervaded our language and thinking across all sectors of life and institutions, and its latest manifestation of citizenship is perhaps the most coercive strategy being employed by government.
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Profile
Tea Mäkipää
Finnish artist Tea Mäkipää’s work confronts her viewpoint of impending ecological catastrophe through interventions and installations positing an alternative vision of existence. By Manick Govinda.
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Art, Education, Activism
“The process of social change is in desperate need of creativity and imagination, and the aesthetic process in urgent need of social engagement”
