Slow
Plymouth Arts Centre, Plymouth
20 January 19 March
Plymouth Arts Centre, Plymouth
20 January 19 March
One of the main tendencies in public space has been to minimise risk providing mini-cities in which risk has been all but removed.
International Project Space, Birmingham
16 November 16 December
Debra Savage’s case study-based research into the realities of professional artistic practice.
Chinese Arts Centre, Manchester
2-5 November
Every age rewrites its history in its own image. Each age produces art that reflects that image, whether consciously or not.
The Biennial age is the age of the illusion of free flowing global movement of thought and capital, when the success of an artist could be measured in airmiles.
Volunteer opportunities are the norm across the visual arts, often perceived as the only route for newcomers to the profession to gain the CV experience that will get them noticed and their foot on the career ladder.
Edith Marie Pasquier introduces her selection of Artists profiles.
This months a-n Collections: Artists profiles presents Edith Marie Pasquiers selection from over 150 profiles on www.a-n.co.uk.
Artists comment on the Arts Council’s Turning Point Strategy.
Ask yourself these questions. What makes you an artist? And what do you have in common with other artists?
Caroine Wright on the exchange programme between Norwich School of Art and Design and Asagaya School of Art and Design, Tokyo.
Jane Watt examines NAN’s characteristics and its relationship to the current networking climate.
Jane Watt outlines the core strengths of NAN and looks to the future.
With a government spending review impending, the value of culture has had high scale profiling recently.
Views on cultural policy and the environment for contemporary practice.
Tristan Hessing of Moot reports from the NAN-NANA event.
The Comment article published in a-n Magazines June issue raises a number of points that need to be addressed.
The Meeting of Minds Brain Sciences Project1 put citizens from nine European countries in open dialogue with brain scientists and policymakers, to explore and make decisions on key future concerns.
Artist David Macintosh takes a personal look at collaborative working.
Mike Stubbs examines some issues facing artists.
David Briers examines The British Art Show 4.
Simon Herbert on approaches to distributing art.
Godfrey Worsdale on artists who explore moral issues.