This year will be the second ‘Fresh Art’ event at the Business Design Centre in Islington.
Here gallery director and selector Chris Noraika outlines his view on the event’s somewhat controversial status, and some artists tell us of their experiences and expectations.
Sally Shaw meets artistic duo John Wood and Paul Harrison to talk about collaboration, long-distance relationships and career development.
Over the past three years Steven Barrett has had nine exhibitions as a result of applying for opportunities listed in [a-n] MAGAZINE. These included his first solo show in the annual ‘New works’ exhibition at the Farnham Maltings Gallery, as […]
Rosemary Shirley talks to Tania Kovats about how she sustained her practice through a flexible and diverse approach to working.
Organised by twelve second-year students on the Royal College of Art’s MA in Curating Contemporary Art, FAIR was something of a hybrid between an exhibition and an international art fair. Max Andrews reports on this pioneering project and profiles some of the participants.
Clark Dawson meets Chad McCail and Eliza Gilchrist to discuss the furniture recycling workshops they run for young ex-homeless people.
Sofie Sweger reports on ‘Space/Traffic’ an international symposium of artist-run spaces and organisations that took place in Hong Kong last December.
Angel Row Gallery, Nottingham 19 January – 2 March
David Butler discusses live art support structures and their relevance to other arts sectors.
Moira Jeffrey meets Callum Innes in his Edinburgh studio to discuss his career development to date.
My first exhibition after leaving college was the Serpentine Summer Show (sadly no longer in existence) which catapulted me into the art world.
A recent forum in Dundee addressed issues surrounding curatorial practice and the relationship between artist and curator. Rob Hunter attended and reports back.
Sophie Scott reports on her experience of the different attitudes and approaches to education initiatives in the arts in the USA.
The creation of small-scale saleable works is a strategy that many artists may have considered. Here, Brigid Howarth talks to two artists with successful product lines that sit alongside their main practice.
Roxy Walsh, recipient of the Abbey Award in Painting, gives an overview of her time at the British School at Rome (BSR).
Abigail Branagan discusses the development of this innovative platform for contemporary design and explores its value to exhibitors.
In the second of a series of articles focusing on the career development of well-established artists, Lucy Wilson meets Yinka Shonibare.
Contemporary re-enactment, art event or memorial? David Butler gives an insider account of Jeremy Deller’s ambitious Artangel Times commission.
In the last feature in this series, the focus is on artist Anatoly Osmolovsky living and working in Moscow.
Kate Tregaskis discusses recent seminars exploring education work involving artists and the effect this has on artists’ practice.
In the first of a series of articles focusing on the career development of well-established artists, Emma Safe meets Paula Rego to discover how she has steered her career to such celebrity.
You’ve done the research, and have got three or four possible sources of funding for a new project. How do you put in an application that stands out from the pile: what gives your approach the edge?
Directors and committee members of The Landscape and Art Network expand on the cross-disciplinary nature of the organisation and its remit to defend and improve our environment.
Graham Taylor gives a personal account of his experience of setting up an educational initiative during his time living in Africa.
This month Kate Fowle has been talking to Christopher Cozier about his experiences as an artist in Port of Spain, Trinidad.
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