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Karen Ingham
My practice is in lens-based arts.
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A wee nip
Since graduating from Glasgow School of Art in 1992, I have pursued a parallel career as a practising artist producing work for exhibition and as a tutor. I am currently a part-time tutor at the Visual Arts Studio @ Tramway, […]
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Closer Still
ArtSway, Sway, Hampshire 17 March – 29 April
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Trading places
The rise of independent artist-run spaces across the UK, and a seemingly impenetrable gallery circuit in London, appear poles apart. Gordon Dalton in Edinburgh and Tim Birch in Manchester visit two young, ‘commercially-minded’ spaces that have picked up on this, and are encouraging an art market in exciting and challenging contemporary work outside London.
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Now you see it…
Advice for photographic and digital image-makers on promoting your work in an expanding environment.
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Case history wins prize
Ukraine artist Boris Mikhailov is this year’s winner of the Citibank Private Bank Photography Prize. Worth £15,000 and organised by The Photographers’ Gallery, the prize aims to annually acknowledge a photographer who is judged to have made the most significant […]
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Perceiving the invisible
‘Perceiving the Invisible’ is a series of interactive works that result from my six-month Year of the Artist residency in the physics department of University of Cambridge. The Cavendish Laboratory has been host to cutting-edge discoveries since 1874, including the […]
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Domestic setting
‘Home (Between 8 and 10pm)’ was an exhibition curated by MASS, that began by looking at aspects of taste and home-ownership. However, this was not about unfathomable DIY assembly packs from Sweden, nor Sir Terrance Conran’s call for cool austerity […]
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Coalfield stories told
Two and a half years ago, Newcastle upon Tyne’s Side Gallery decided to reactivate its programme of documentary photography commissions. Side always flourished on the interaction between its exhibitions and the active documentation of northern lives and landscapes, but, since […]
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Art of locality
Window Sills is neither public art nor community art. It uses collaborative strategies that draw on and sit between a number of artistic practices taking its lead from ‘New Genre Public Art’ – a term used by American artist Suzanne Lacy – which incorporates activist arts, site-specific art, performance art and happenings. The project is also aligned to ideas about art and context developed in universities in the UK.
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Location
Turning our heads to view something that has caught our attention is a subconscious reflex. When doing so, we tend not to get the full picture and leave it up to our imagination to fill in any missing elements. Our […]
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Behind the scenes
In the September 2000 issue of [a-n] MAGAZINE Tyne and Wear Museums Service advertised for an Assistant Art Exhibitions Officer at the Laing Art Gallery in Newcastle upon Tyne. The post, working on exhibition and outreach projects with community groups, artists and art groups, received ninety applications. The successful candidate was Dominic Smith – an artist based in Newcastle.
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Pat Naldi
My work centres on physical and cultural colonisation on a personal and political level.
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West: 1st Wales Ffotobiennal
Ffotogallery, Cardiff 11 November – 23 December
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Protest & Survive
In today’s climate of political apathy, it sometimes appears that people have become wary of expressing an opinion without irony. Not so the artists showing in ‘Protest and Survive’. I can’t remember having walked around whole roomfuls of contemporary art […]
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Exposure in Hereford
This year’s Hereford Photography Festival includes the first UK showing of Daniel Meadows’ Now and Then, and Mike Abrahams’ Christian Rituals as well as a new complete showing of Richard Sawdon Smith’s Body In-Visible series about the body and disease. […]
