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Les Rencontres Arles Photographie, 40 years of ruptures
“I want the experience of art to transport me, move me, make me feel what it describes,” remarks Nan Goldin.
You searched for photography - Page 5 of 16 - a-n The Artists Information Company
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Profile
Matt Roberts
Curator Matt Roberts talks to Jane Watt about how and why he set up the London-based organisation Matt Roberts Arts and the importance of providing support and a platform for emerging and mid-career artists, curators and arts professionals.
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The Little Shop on Hoxton Street
Limoncello, London
7-21 May
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The London Group
The London Group is a community of nearly 100 visual artists, with a shared commitment to studio practice and exhibiting their work.
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NAN in conversation with Notations
Notations is a group of four artists based in the UK and The Netherlands who describe their practice as psycho-geographic. They were awarded a NAN Go and See bursary in June 2008 to travel between the UK, the Netherlands and Belgium for research and development. Here, Emilia Telese talks to Notations artists Rebecca Birch, Sara Bjarland, Florencia Guillen and Karien van Assendelft about their work and their bursary.
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Overview
‘Overview’ features a new body of work by mixed media artist, Susan Kinley, made over the last three years linking themes of aerial viewpoints, boundaries and fragmentation.
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Trying to Cope with Things that aren’t Human (Part One)
Trying to Cope with Things that aren’t Human (Part One)
AirSpace Gallery, Stoke-on-Trent
28 March – 9 May
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David A Bailey
David A Bailey talks about how his socially-informed work has led him to curate projects that set it within a wider (art) historical context.
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Good project – what sort of collaboration?
Margaret James-Barber and buffy klama (yK) offer two complimentary points of view about ‘M6-M3 Underway/Unterwegs’, an artist-initiated exhibition programme for artists in NW England and Berlin, and its legacy for their own practices and future collaborations.
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Safle
In October 2010 Safle ceased trading following the withdrawal of funding from the Arts Council of Wales. Back in April 2009, Jane Watt spoke to Safle’s Project Managers and Executive Director about how they were supporting artists to develop and make work in the public realm. At the time Safle was one of the UK’s largest independent public art consultancies.
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Frances Lord
Frances Lord discusses her practice as a curator, writer, freelance project manager and art consultant with Jane Watt.
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NAN in conversation with Faye Claridge
Faye Claridge received a NAN Re-View bursary in February 2008 in order to initiate mentoring with curator Katy Barron. Emilia Telese talks to her about the bursary and its impact.
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On the cover – 2009 April
The Glass Parallax by Samual Dowd.
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RSA New Contemporaries
RSA Upper and Lower Galleries, Edinburgh
14-25 February
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Introduction
The art world
An overview of the types of private and public galleries and organisations that constitute the UK’s art world. Examples demonstrate what drives them, as well as the imperatives of some of the artists who exhibit and develop work for them.
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Time lapse
Brian McClave and Gavin Peacock recall how they joined forces within their artistic careers, and discuss their motives for collaborating.
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Introduction
Contemporary gallery practice
Paulette Terry Brien reveals how a number of national public-funded galleries and organisations have expanded notions of exhibition programming beyond pristine white-walled gallery spaces, and are commissioning artists to make new and challenging work within the institution, as well as off-site.
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John Timberlake: Bussard Ramjet
Published by Artswords Press
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Performing tricks in San Francisco
Alex Hetherington on the San Francisco art scene.
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Discussion
The art of amateurism
The term amateur, until quite recently, described a person pursuing an activity purely for pleasure rather than remuneration. Derived from the Latin ‘Amator’, meaning ‘lover of’, the Victorian amateur may typically have been a sporting gentleman of independent means, but working class amateurism has a strong and colourful history, from photography to astronomy.
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The Whitworth Social
Andrea Hawkins, Head of Public Engagement at Manchester’s Whitworth Art Gallery and artist Lucienne Cole talk about an innovative approach to publicly-engaged art.
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Why China? A personal revolution
Lucinda Holmes has recently re-located to China and become involved with an emerging arts centre called [the studio] that is working towards developing an artists community in Shanghai. In this article she records her impressions of the galleries she has encountered in the city, and discusses how experiencing a different culture has effected her work as an artist.
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Markets for designer-makers
How does a maker reach the market? Freelance consultant and Market Development Manager for Cockpit Arts Abigail Branagan highlights the key routes.
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Artists Don’t Bite
Art at the Centre is an award scheme from Arts Council England, South East that seeks to involve artists from the outset of regeneration projects across the region. As part of this scheme, Maidstone Borough Council looked to develop an Artists’ Quarter in the heart of the town to promote the area’s wealth of creative talent. Here video-media artist Margherita Gramegna and consultants FrancisKnight talk about their involvement in this process and the resulting work, Artists Don’t Bite.
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Big Picture – 2008 December
Zooey Martin profiles the work of Rowena Dring.
