Code of Practice – Organisations
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
Despite the fact that more people than ever before are going to galleries, the upsurge of festivals and public and the willingness of foreign collectors to buy British art, its clear from talking to artists that their bank accounts are in as dire a state as theyve ever been.
Qube, Oswestry
28 February 25 March
I am writing to thank you for informing me I have won a free one year subscription to a-n. [See Survey winners announced on the letters page of last months a-n Magazine.] It was a great start to my day […]
Outer space investigates the interface between artists’ practice and the socio-political domain. Devised and edited by Esther Salamon, contributors include Chris Batt MLA, Paul Collard Creative Partnerships, Jonathan Davis CABE, David Lammy MP Minister for Culture, Graham Leicester International Futures Forum and Tom Shakespeare.
The Centre for Contemporary Art and the Natural World (CCANW) launches its Project Space this month, the first phase of its development in the newly improved Haldon Forest Park near Exeter, which is also launched on the same day. CCANW […]
Nests and cocoon-like forms intrigue me because they are often built directly into existing structures, such as trees or architectural features.
A series of Vox box style reflections by some of the artists who have experienced NAN.
Biographies of Import/Export speakers.
Artist’s jobs and opportunities 2003 – 2005
Janie Nicoll reflects on her continuing relationship with NAN events.
Contents include: Layla Curtis travels to the ends of the earth. Ali Beddoes enjoys artist-curated show in Birmingham and Nicolas Deshayes reviewed at Nottingham’s Moot Gallery. Extracts from Curated space online think-tank plus Paul Hamlyn grant winners announced and news […]
Gordon Dalton discusses the career progress of Bedwyr Williams, including Venice Biennale, his Paul Hamlyn Award and having a base in North Wales.
Chris Brown interviews Neeta Madahar on a return visit to Boston, where she studied for three years at the School of the Museum of Fine Arts.
In December 2003 I undertook a residency at Ramsgate Maritime Museum in partnership with Turner Contemporary.
Opportunities round-up.
A-n’s commissioned research into rates of pay.
May You Live In Interesting Times is Cardiffs inaugural festival of creative technology. Taking place across the Welsh capital 28-30 October, the festival has been developed between Chapter and Bloc (Creative Technology Wales) and includes a two-day conference, new commissions, […]
Once we were Africans Black Arts Alliance has commissioned photographer Anthony Jones to photograph ten, black, multi-generational families living in the Greater Manchester area as part of Acts of Achievement, the north west of Englands annual celebration of Black History […]
Centre for Contemporary Art and the Natural World,
Haldon Belvedere, Exeter
14 August 30 October
Contents include: Checklist of good practice promotes meaningful development for volunteers, a news report on outcomes from The Cultural Commission. Samantha Clark reflects on residencies in the Swiss Alps and at Wysing Arts. A review of contemporary artists using pinhole […]
Encouraging a consistent attitude to quantifying the value of artists across the exhibition and gallery world.
Poet Markus Lloyd offers his solution to creative isolation.
Last year I did a residency at the IAAB, an international artists exchange programme in Basel, Switzerland.