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Perspectives on Venice

The 52nd Venice Bienniale that launches in June combines exhibitions of significant visual art from international artists with passeggiata and associated networking opportunities on the grandest scale for the throng of curators and artists who will assemble there. The main […]

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The Plane of Gods
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Scotland and Venice

Charles Avery, Henry Coombes, Louise Hopkins, Rosalind Nashashibi, Lucy Skaer and Tony Swain will represent Scotland at the 52nd Venice Biennale of Art.

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Sold

Measures to give artists a share of the proceeds from the resale of their work became law in January.

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Back and forth

From a-n Magazine May 1995 ‘Minky Manky’ at South London Art Gallery showed, amongst others, work by Damien Hirst and Mat Collishaw, along with Tracey Emin’s Love Tent; Christopher Pauling won the £4,000 Mostyn Open purchase prize; Leo Fitzmaurice and […]

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An Evening with Jabba the Hutt
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Glittering prizes

A plethora of shortlists and prize-winners have recently been announced, making April a bonanza prize month.

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Island photographs
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International residencies

Sixty–one artists’ residencies in twenty–five countries have taken place since the inception of ACE’s International Fellowship Programme in 2001. These have benefited more than 130 artists. A celebratory event for this initiative was held in July at Über–trendy Sketch Art […]

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Cabaret
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Painter wins Beck’s prize

The £20,000 Beck’s Futures prize, that claims to represent the cutting edge of British art, has been won by painter Tim Stoner. His works are created through time-consuming process of colour-layering, building up oil and glaze onto linen to acheive […]

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BritArt auction contributor Tracey Emin, as seen in the 80's with then partner Billy Childish
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Lucky 13

Britain’s largest art fair – the thirteenth in the series – opens with a charity preview on 16 January and runs to 21 January. At Art 2001 at the Business Design Centre in London you’ll find over 100 leading contemporary […]

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Renaissance
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Art benefits business

Recent research carried out in the UK shows that eighty per cent of major corporate collections began in the last twenty years, with collections ranging from less than fifty to over 5,000 works. Significantly, half of the works collected were […]

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