An overview of the types of private and public galleries and organisations that constitute the UK’s art world. Examples demonstrate what drives them, as well as the imperatives of some of the artists who exhibit and develop work for them.
Paulette Terry Brien reveals how a number of national public-funded galleries and organisations have expanded notions of exhibition programming beyond pristine white-walled gallery spaces, and are commissioning artists to make new and challenging work within the institution, as well as off-site.
How does a maker reach the market? Freelance consultant and Market Development Manager for Cockpit Arts Abigail Branagan highlights the key routes.
Nina Madden gives an overview of some of the visual art prizes selected from open submission competitions.
Stephen Palmer explores the issues surrounding artists and their studios – from finances, time and work patterns and location to group set-ups and DIY options.
Phyllida Shaw explores the role of grant making trusts, foundations and charities.
Linda Ball explores how artists, makers and desgners can find work outside their artform.
Brigid Howarth looks at how Sue Park, Amanda Doughty, Joe Magee and Kuljit Chuhan make a living thourgh selling their work or skills.
Read guides and profiles that offer valuable information, insights and strategies on art practice from a range of expert voices. Plus extensive archive of past publications.
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