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Artist Morag Colquhoun, whose practice includes sculpture, photography, installation, performance, video, textiles and curatorial practice, discusses the benefits and pitfalls of working in a rural context.

Generator Projects is an artist-led gallery in Dundee. This profile features a video interview, recorded at Assembly Dundee, in which Generator Projects’ chair and committee members introduce the organisation and discuss its aim of supporting emerging artists in the city.

Having developed a practice based around working with people in a participatory manner, in 2015 Anthony Schrag completed a practice-based PhD exploring the relationship between artists, institutions and the public within participatory public artworks. He discusses his reasons for undertaking a PhD, and gives advice to artists considering this option. Based on an interview by artist Steve Pool.

Graduating in 2012 from Duncan of Jordanstone College of Art and Design in Time Based Art & Digital Film, Sylvia Law has been selected for 2013’s edition of RSA New Contemporaries, and has since returned from the John Kinross Scholarship in Florence.

Annabel Tilley talks to Gary Hume about twenty-five years of practice, prizes and paint.

We catch up with a 2011 graduate, one year on from her degree show, to unveil alternative means of productivity with Scotland and Venice, well placed volunteering and research through internship.

Six months on from completing her degree in Dundee, we catch up with Hannah Imlach in Edinburgh, a month before she embarks on an artist residency. 

Jennifer Picken has been working with a-n since her MFA studies at Newcastle University, and continues her role in the Communications and Partnerships team working remotely from Amsterdam – where she has a studio. Here she maps her alternative working routes through undergraduate study, from volunteering to mentoring and beyond.

Here we have unveiled our list of the top ten Artists talking blogs.

Heather and Ivan Morison on the thinking behind their work I am sorry. Goodbye.

Manick Govinda’s profile of Paul Hamlyn Foundation, one of the most respected and innovative grant-giving trusts in the UK

S Mark Gubb profiles artist Gavin Wade and his project that aims to tackle the role and function of art.

S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.

Sally Davies profiles Kypros Kyprianou, discussing his interest in scientific themes, collaborative working and residencies at Artsway and Allenheads Contemporary Arts.

Born in Kabul in 1973, Lida Abdul has returned to live there. Kim Dhillon looks at her practice, working accross various media, that fuses Western formalist traditions with numerous aesthetic influences.

Sara Raza on Grace Ndiritu, a young London based artist who is enjoying an upwards ascent with an impressive portfolio of national and international exhibitions, that present a fresh style of politics and performativity.

Declan Long on two new Dublin-based galleries, and the relationship between artist-led spaces in Ireland and the UK.

Gordon Dalton discusses the career progress of Bedwyr Williams, including Venice Biennale, his Paul Hamlyn Award and having a base in North Wales.

We set out to work with other artists and curators as well as those people with whom we collaborate on the site of our projects.

Lee Corner interviews Graham Fagen about his commission in Kosovo for the Imperial War Museum.

Nina Madden meets painter Katie Pratt and uncovers the benefits of winning the Jerwood Painting Prize.

Usually I’m on the move. I have a tendency to spend between two days and two weeks somewhere and then move on.

Coming from Macedonia, a country where sixty to seventy percent of the land is forest, the immediacy of nature is a significant element of my working practice.