Rosemary Shirley explores new approaches to curating in rural contexts including New Geographies, a project developed by a consortium of nine arts organisations based in the East of England, and Ian Giles work as part of the project, Open Ramble East, which looks at queering rural places through rambling walks.
Jo Hodges and Robbie Coleman’s collaborative and multi-disciplinary practice questions our relationships with environment and landscape. Sally Davies talks to the Dumfries and Galloway-based artists about working in, and interpreting, rural contexts.
Peak is an arts organisation based in the Black Mountains in Wales that works with artists and communities to respond to the rural environment. Peak’s Creative Director Rebecca Spooner speaks to Rosemary Shirley about the organisation’s contemporary arts remit for making and showing art in rural places.
Artist Morag Colquhoun, whose practice includes sculpture, photography, installation, performance, video, textiles and curatorial practice, discusses the benefits and pitfalls of working in a rural context.
Visual Arts in Rural Communities hosts residencies in the remote hill-farming area of Tarset in Northumberland. In August 2018, the organisation piloted its first residency for a disabled artist. Lydia Ashman speaks to Project Director Janet Ross and artist, curator and disability advocate Aidan Moesby about the development of the pilot and its impact on the organisation’s programme.
A psychogeographic opening up of the city through an aural tour of artist-led venues and other listening points of historical and cultural interest.
We catch up with Sikander Pervez, as he enters his final term at Staffordshire University, to talk material, machinery and the function of repetition in his practice.
From found photography to a research-based practice, Richard Taylor talks to 2012 University of Wales Cardiff Fine Art graduate Laura Reeves.
Video of the artists Barby Asante and Sonia Boyce discussing crossovers between their practices, working with people on collective memory building, notions of participation and juggling a portfolio career.
Bartosz Beda is fast approaching the completion of his MA at Manchester School of Art in September 2012 with a slot in Saatchi New Sensations to follow straight after. We talk to the artist about his multi-lingual practice ahead of further exhibitions across Europe and a six-month scholarship at The Academy of Fine Arts in Dresden.
Six months on from completing her degree in Dundee, we catch up with Hannah Imlach in Edinburgh, a month before she embarks on an artist residency.
Three years after graduating from Glasgow School of Art photographer Elizabeth Wewiora discusses her career path so far and takes us along for the ride.
Richard Taylor talks to Lee Devonish in the final year of her Fine Art course at the University of Kent as she moves across disciplines and kick starts degree show plans for the year group.
Tim Ridley, a graduate from Chelsea College of Art and Design, uses performance to actuate ideas and working processes. As Tim gets to grips with being an artist fresh from art school, Richard Taylor takes a further journey in to his new blog on Artists talking.
Blogger Ann Shaw talks to Andrew Bryant about working in the virtual realm, her career development from journalist to artist, and current concerns.
Here we have unveiled our list of the top ten Artists talking blogs.
Is surface texture, pattern and ‘the natural’ an escape or a trap? Rosalind Davis talks to Andrew Bryant about this and other questions in her work written about in her Artists talking blog.
Despite setting up a successful jewellery business with her husband, blogger Jane always knew she was an artist and eventually found the time and space to develop her painting. Andrew Bryant talks to Jane about business, the relationship between art and craft, the obsession with interpretation and about feminism and painting.
Antonia Dewhurst talks to Degrees unedited Online editor Richard Taylor during her final year at Coleg Menai, Bangor, North Wales.
Virginia Verran discusses winning the Jerwood Drawing Prize, the importance of art education and the multifaceted nature of her practice.
2010 Fine Art Photography graduate Joanna Waclawski talks about studying at Glasgow School of Art (GSA), and reflects on how re-sitting a year amplified her perspective on photography as a medium.
The penultimate year of part-time study is imminent and this ex-carpet designer plans to paint and scale her way through dissertation research. Richard Taylor finds out how before the summer draws to a close.
Richard Taylor in conversation with Bernice Wilson
Richard Taylor in conversation with MA in Fine Art at University College Falmouth student Karen Howse
Curator Matt Roberts talks to Jane Watt about how and why he set up the London-based organisation Matt Roberts Arts and the importance of providing support and a platform for emerging and mid-career artists, curators and arts professionals.