Social Art Summit
A collection of reflections on Social Art Network’s two-day event in Sheffield, November 2018.
A collection of reflections on Social Art Network’s two-day event in Sheffield, November 2018.
Steve Dutton discusses the outcomes of a-n’s Artist-led Bursaries, awarded to six artist-led groups in 2017 to explore how artists and artists’ groups adapt to navigate turbulent cultural and political landscapes.
Reyahn King explores the role of galleries within professional development for visual artists. In the current climate, how can professional development for visual artists be continued and improved? This paper suggests that one answer lies in the relationship between publicly-funded regional galleries and visual artists becoming wider, deeper, and more strongly valued.
The key finding of this study reveals that shockingly few individual artists apply for funding in their own right, and even fewer are successful. What this means is that there is little direct funding being given to artists to pursue and develop their own projects, under their own control – under 20% of available funding for the visual arts in England, 14% for Northern Ireland and around 18% for Scotland and Wales in 2009-2010.
Becky Shaw explores the dangers of the concept of ‘continuous practice’ and gives thought to the key factors that enable longevity if artists choose it.
S Mark Gubb on the economic and ecological implications of artists’ practice.
New evidence exposing, quantifying and discussing the likely impact on the visual arts of Arts Council England’s decisions on fifteen previously Regularly Funded Organisations (RFOs) visual arts organisations unsuccessful in their NPO application. It shows that a disproportionate number of artists’ membership and development agencies and practice-based organisations lost core funding, despite ACE’s aim of creating a balanced national portfolio and makes recommendations for sustaining their work as part of a strengthened arts ecology.
Explores the affect of the economic recession on the livelihoods of artists in terms of access to employment and career opportunities and raises concerns about how artists’ practice is likely to fare in this period of arts austerity. [HTML format]
Updated for 2008 Research papers, Indexing intelligence is a listing with live weblinks of accessible ‘facts and figures’, research studies, conference reports, publications and other resources that are pertinent to all those working in the visual arts, compiled and edited […]
Sonya Dyer’s publication questions assumptions about non-white artists, curators and administrators that shape the current diversity landscape, and suggests alternative ways forward.
Debra Savage’s case study-based research into the realities of professional artistic practice.
Curated space looks at strategies and interventions within artist-curator space. Devised and conducted by Manick Govinda, contributors include Gavin Wade, Erika Tan, Jeremy Deller and David A. Bailey.
Curated space artists’ interviews in full.
Read the Social space interviews in full along with Becky Shaw’s Introduction and Matters arising.
Read the Future space interviews in full. These interviews formed the base material for the Future space publication.
Artist’s jobs and opportunities 1989-2003