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Review

Fleece Flow: Bridewell

by Sian Hughes

This review is for the first Fleece Flow: Bridewell, Liverpool in July, part of the Independents Biennial. The second related exhibition, Fleece Flow: Storiel, Bangor North Wales, on until 16th September, see Events.

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Review

Sixty Drawings + Ten

by Jo Manby

Sixty Drawings + Ten is a group exhibition covering a range of drawing styles and practices, co-curated by artists Carolyn Curtis Magri and Gary James Williams, which will be open to the public from 16 June to 11 August 2022 at the Whitaker Museum and Art Gallery in Rossendale.

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Review

///corner.proof.riders

by Fiona Carruthers

General Practice [gP] is an artist-led, experimental project space in Lincoln. Driven by collaborative activity it seeks to promote exchange with wider artist-led initiatives, stimulate critical discourse and through its programme of exhibitions, events and workshops sustain an engaged visual […]

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Review

HOW MANY ABSTRACT PAINTINGS DO WE NEED TO SEE IN THE WORLD, REALLY?

by Geoff Hands

TESTING 1,2,1,2   The argument over Abstraction in art (especially painting) still drags on. In Elephant magazine, issue 29 (Winter 2016/17), the prestigious American painter Kerry James Marshall makes some interesting, if debateable, comments on “Abstract picture making” as little […]

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Review

The Human Condition

by Rachel Hinds

A group of artists respond to the theme ‘The Human Condition’. Garry Barker, Leeds College of Art and Design, writes a review.

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Review

Bill Viola

by Maru Rojas

Bill Viola has a reputation as one of the pioneers of video art. Not only has he been making work since the 1970s, but he is one of the few who have managed to cross over into the mainstream imaginary, […]

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Review

Plymouth Art Weekender

by Pippa Koszerek

The inaugural Plymouth Art Weekender took place in a range of venues and public locations throughout the ocean city between 25-27 September 2015. Pippa Koszerek considers projects from the Crafts Council, Karst, The Alamo Project, Plymouth Arts Centre and Royal William Yard.

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Review

The Fading Afterglow of Creation: Dave Briggs, Jack Squires

by Daniel Kelly

There is a scene in Steven Spielberg’s E.T. the Extra-Terrestrial (1982), where, after the eponymous aliens’ discovery by the authorities, the protagonist Elliott’s house is hermetically sealed, covered in plastic and invaded by government agents in boiler suits, quaranting the inhabitants. A […]

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