Song Dong: Waste Not
The Curve, Barbican, London
15 February – 12 June 2012
The Curve, Barbican, London
15 February – 12 June 2012
ArtReview, UK
1 November – 1 December 2011
Cooper Gallery, Duncan of Jordanstone College of Art and Design, Dundee
17 October – 5 November 2011
Sixty Drawings + Ten is a group exhibition covering a range of drawing styles and practices, co-curated by artists Carolyn Curtis Magri and Gary James Williams, which will be open to the public from 16 June to 11 August 2022 at the Whitaker Museum and Art Gallery in Rossendale.
Some fresh tasty vegetables [talent], a dash of hot sauce [ideas], knob of butter [agency], a glug of ageing wine [experience], a crumble of stock [collaboration]? Then there is the cooking … time, space and don’t get me started on […]
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
written by Emily Scarrott
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
Tommaso Ranfagni reviews Leontios Toumpouris’ solo exhibition titled ‘Of particular images’ at CCA, Glasgow.
The tenth Berlin Biennale, titled ‘We Don’t Need Another Hero’, “…proposes a plan on how to face a collective madness; it offers a platform for collective dreaming and for action.”[i] In place of a direct curatorial theme or framework, curator […]
A critical review of SLOW COOKER PT IV
Simon Lee Dicker works with and within nature, to produce work that unravels the stories we attach to place and time, and the emotional weight that we impart upon them. Dicker’s practice has spoken about a distance between humanity and […]
Review of Documenta 14. Funded by an a-n Bursary
Review of Documenta 14 Kassel, funded by a-n artist’s bursary.
57th Venice Biennale from the perspective of Margherita Gramegna, founder of 51zero, international moving image and digital arts festival in Medway, Kent.
Curated by Charley Peters, Signal to Noise subtly reveals a multitude of relationships between the artists, which oscillate on a spectrum between collusion and tenuous connections.
Punctuated3 is an exhibition by students from the University of Lincoln’s MA Fine Art programme – a kind of test run for their upcoming final show and a crucial opportunity to extend their professional practice within the confines of city’s […]
A first glance response to several exhibitions visited in London
György Kepes: The New Landscape 15 April – 19 June 2015 Exhibition Research Centre, Liverpool John Moores University In 1951, Hungarian-born polymath György Kepes organised The New Landscape at The Massachusetts Institute of Technology, where he had worked since 1947. […]
Collaborate! is a compact and energised survey show that explores the range of collaborative practice in contemporary art. With its focus on the social relations of production across a broad spread of media and approaches, the exhibition is inevitably diverse […]
In May last year I embarked on our Go And See bursary enabled tour of the UK. Parts one and two can he found here and here. There’s been a seven month gap between parts two and three because we […]
A new exhibition and collaboration between artists Emilia Telese and Binita Walia providing commentaries and insight on how the role of women is shaped and constrained by social, economic and political contexts.
A thin place is a landscape’s anomaly, where the division between this world and another is particularly thin.
There can be very few works that are still echoing and reverberating through artistic practice a century or more after they were made. The latest show at the Whitechapel takes futurist Kazimir Malevich’s Black Square (1915) and shows just how […]
A Review of the 14th Venice Architecture Biennale by Vassiliki Tzanakou Curator and Political Scientist & Israel Hurtado Cola Architect & Writer
A question that I find relevant to both my personal practice and my expanded practice is; do varying modes of sustainability and organisational structures effect the output/content of artist and curator led projects? Now two-thirds through our ‘go and see’ […]