Review
Mixing It Up- Painting Today
Review of exhibition of painting at Hayward gallery October 2021
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Review
Making Arrangements
This surprisingly life-affirming exhibition is Dawn Cole’s strongest work to date. From a deeply personal view-point Cole has created a series of exquisite, yet paradoxical works that have the power to resonate with us all. Cole’s process of photography, the […]
Review
‘City Lines’ by Jane Walker
An exhibition of paintings responding to the modern metropolitan experience
Review
Efi Haliori: A Photographic Journey in the Quarries of Greece
Efi Haliori presented her latest photographic project‘ Transformations’ at CAN Gallery, in Athens.
Review
Andy Cropper – Uncertain spaces
Solo Show of paintings depicting urban Sheffield
Review
Caroline Walker: Women’s work
Solo painting show. (re-scheduled due to Covid 19)
Review
‘Me, Myself and I’
A multiply layered and wide ranging exhibition.
Review
Kite Circus
An exhibition of 13 abstract, non-objective, geometric and reductive artists.
Review
CATCH 22, Logically Unacceptable Conclusions
The debut solo show of artist Dan Southward, a multidisciplinary creative currently based in Stoke-on-Trent. His practice sits somewhere between the worlds of fine art, graffiti, photography and installation.
Review
Coexistence
‘Coexistence’ is a call for ‘empathy and solidarity that transcends species’ and features works that reflect on issues of humans’ relationship with nature and critique an anthropocentric worldview.
Review
Genea!’, says Marauder – September 27th-29th, 2019
‘‘Genea!’, says Marauder’ a show by Richard Taylor that included video, sound, 35mm slide projection, sculpture, photography and performance.
Review
Please Sir, Can I Have Some More?
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
written by Emily Scarrott
Review
Please Sir, Can I Have Some More?
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
Review
SLOW LANDSCAPE – Anne-Mie Melis
A response to Anne-Mie Melis’ SLOW LANDSCAPE exhibition at ArcadeCardiff
Review
Is Mother Proud of Little Boy Today?
A review of Alex Billingham’s Ashes To Ashes.
Review
‘We Don’t Need Another Hero’: Finding Home at the Biennale?
Taking the outdoor shoes off, dusting off the photo album, the ogling guests and that jarring Uncle – finding the familiar at the 10th Berlin Biennale.
Review
Ellen Wilkinson reflects on Paper Structures: Book Arts Unfolded
A course for anyone interested in pushing a predominantly 2D practice into 3D in order to observe the impact this has on your thinking / research
Review
Manifesta 12: Fruit, murals, prisons.
On some encounters with defamatory portraiture and miraculous microclimates.
Review
10th Berlin Biennale – Helping to Build a Better Tomorrow
Now in its 20th year, The Berlin Biennale for Contemporary Art is at a cross roads as it once again enters into a dialogue with the city. Curated by Gabi Ngcobo, with a curatorial team made up of Nomaduma Rosa […]
Review
We Don’t Need Another Hero
An experience of ‘We Don’t Need Another Hero’, 10th Berlin Biennale for Contemporary Art. Rossanne Pellegrino was one of 10 a-n Artist members who attended the Berlin Biennale preview.
Review
Landscapes may be abandoned and derelict but not forgotten at AIR
With two solo exhibitions taking place at AIR Gallery right now it has a significantly busy programming schedule. With a focus on emerging and early career artists AIR offers a much-needed resource for these artists in the North West.
Review
The Water Margin, and the vision of SaySay.Love
Simon Tait is the editor of Arts Industry magazine, a former arts correspondent for The Times, a critic for the London Magazine and a former president of the Critics’ Circle. Here he meets artist SaySay.Love at his exhibition ‘The Matrix of Water’.
Review
Kim Anno: The Juxtaposition of ‘Nature Studies’
Kim Anno Exhibition Review
‘Nature Studies’
Abbie Cairns
2018
Review
Linda Taylor responds to Helen Kincaid’s …delayed rays of a star…
Helen Kincaid … delayed rays of a star …
26 April – 19 May 2018
Review
Edmund Clark, In Place of Hate
For her 600-word review following the writer development workshop at Birmingham’s Ikon Gallery, Jessica Ramm chose to write about Edmund Clark’s exhibition.
