Emily Peasgood is one of the 2017 Folkestone Triennial commissioned artists. She’s created ‘Halfway to Heaven’, an acoustic piece drawing on both geological and cultural divides, neatly fitting this year’s theme ‘Double Edge’. Peasgood discusses her work with Jillian Knipe.
Perhaps I’m unusual as a visual artist but when I visit exhibitions I crave words; and usually I’m frustrated by their absence.
Review of Documenta 14 Kassel, funded by a-n artist’s bursary.
It’s a July evening and a dozen of us are crowded into a small river boat on the Great Ouse moored on St Ives’ quayside. As the motor starts up and we begin to head upriver towards the Hemingfords, […]
A short tour and review of new and old commissions at the Münster: Skulptur Projekte 2017
