Page 2142 – a-n The Artists Information Company
Eldi Dundee, 'Aggressive Reindeer On Parade', photography, 2008. Photo: Eldi Dundee. Courtesy: the artist. 'Taken at THE foremost, most iconic and world-famous American amusement park in Orlando during a Christmas parade in the Florida sunshine, a sight I've seen dozens of times as a child since the park's opening, a darker, almost sinister side to the place is revealed in this series of photos. Philosophical enquiry: did my ex-pat, generation x eyes find this darkness because I was looking for it, or did it just reveal itself because it is intrinsically, insidiously there already?'(Excellent response from a fellow artist friend Rachel Louise Brown: 'There is no light without darkness. I reckon the sinister side was always there. Just like fairy tales.') http://www.greatbritons.ba.com/users/703/uploads/10698
Mariele Neudecker.
Alan Currall.
Annika Strom.
Chris bellinger, 'Mountain', Mixed, 10/4/09. Photo: Chris Bellinger. A detail of one of the paintings
Chris Bellinger, 'Paintings in a Row', Mixed, 10/4/09. Photo: Chris Bellinger. Paintings in a row
Chris Bellinger, 'Studio Space', Acrylic and Mixed Media, 10/4/2009. Photo: Chris bellinger. A Photo of my studio space, playing around with my paintings
'Piano Concerto No 1(detail)'.
Caitlin Heffernan, Pencil and paper, February 2009. Photo: Caitlin Heffernan. Courtesy: Caitlin Heffernan.
Caitlin Heffernan, 'We Felt As Though We Had Landed on Mars', Coloured pencil and paper, April 2009. Photo: Caitlin Heffernan. Courtesy: Caitlin Heffernan.
Caitlin Heffernan, 'We Felt As Though We Had Landed on Mars', Coloured pencil and paper, March 2009. Photo: Caitlin Heffernan. Courtesy: Caitlin Heffernan.
Luke Powell & Tom Blaker, '(vandalised) Brick Wall'.
Carwyn Evans, 'Movement (Bro Dyfriogl)', MDF, tensile wire, glass, cuckoo clock movement and attachments, 2009. Photo: Carwyn Evans. Courtesy: the artist. Installation, 4 items, 1000 x 450 x 350mm each
Carwyn Evans, 'Think of Home, Turn ', Photographs, Found objects, 2009. Photo: Carwyn Evans. Courtesy: the artist. Hand C-type prints mounted on aluminium, 30 x 40", Installation, dimensions variable
Carwyn Evans, 'Turn', Found objects, 2009. Photo: Wanda Zyborska. Courtesy: Wanda Zyborska. Installation, dimensions variable
Carwyn Evans, 'As you are, Everything seemed so simple and beautiful', Photograph, 18 x 18", installation, 2009. Photo: Wanda Zyborska. Courtesy: Wanda Zyborska. Framed C-type print, installation as above
Carwyn Evans, 'Everything seemed so simple and beautiful', Pine, plywood, MDF, card, model railway materials, mixed media, 2009. Photo: Carwyn Evans. Courtesy: the artist. Installation, 5 structures measuring 1700 x 600 x 600mm (base taking an area of 600mm square, table area measuring 400mm square)
Photo: Jon Bowen. Son with birthday presents
Photo: Jon Bowen. Excited daughter, on brother's birthday
2009. Photo: Jon Bowen. The hand from hell
Geoff Simpson, 'untitled'.
Geoff Simpson, 'untitled'.
Jon Bowen, 'Red', Acrylic on Canvas, 2001. Photo: Paul Freestone. Another one of the series of 40 small unstretched canvasses
Maggie Rose, 'Vivienne', perspex and mixed media maquette, 2009. Photo: Eldi Dundee. Courtesy: the artist. Maggie's maquette for the Canary Wharf group summer show proposal at the bank
Maggie Rose and Eldi Dundee, 'installation view of (left) Dear Deer, (right) Wives of Jacob 3', film and oil painting, respectively, 2009. Photo: Eldi Dundee. Courtesy: the individual artists. Not to do with the Canary Wharf proposals, but a snippet of previous (and ongoing) work by two of the artists who will be showing, from an earlier group show in E London. Both have been working with mythical narratives and primal female creative/destructive energies in their own ways-- Maggie with the forest and deer imagery and also this notion of a creature that is part woman, part stag, ('a creature born out of the internal battle between instinct and reason') and Eldi using the female wrestlers imagery to explore the struggle between not just female objectification v. agency, but also carnality and spirituality.