Page 2164 – a-n The Artists Information Company

Alice Bradshaw, 'Untitled (branches mended with sellotape)'.

Kevin Boniface, 'Three Graces (Saved for the nation)'.

Georgia Boniface.

Rachael Allen, 'Untitled (pushchair)'.

Chrissy Smith, 'Saved 1923', Glass, May 2008. Photo: Peter Jones.

The children of Ysgol Llanarmon DC, 'Untitled - designs on slate', mixed media, May 2008. Photo: Peter Jones.

Tim Pugh, 'Llanarmon Beechburst', Charcoal, May 2008. Photo: Peter Jones. Tim's work can be found on the Axis website. This piece in charcoal has withstood the weather for nearly a year.

don braisby, 'Impression 4', Lino Print.

don braisby, 'Impression 3', Lino Print.

don braisby, 'Impression2', Mixed media.

don braisby, 'impression1', Lino Print.

Fu Yu xiang.

'Richard Taylor'. electrical tape as intimate object

'Temporary Art Space'.

'Market 2009' Royal Art Academy, Stockholm.

Paul Stocking, 'Dancing with Rosie at Dawn', Plaster and wood, May 2008. Photo: Peter Jones. The work was inspired by a drawing made by Jean-Luc Francois of the Rose Window at Lieu-Restaure, France. With help from Frank Triggs, of Woodforms, and Jude Henson-Oliver of Tricreation a fragmented and reconfigured collage design was computerised and machined into the dancing figure. Walking around the hills of Llanarmon will introduce you to fragmented frames of sheep; their bones variously arranged and re-arranged by birds, animals and insects. They may be bleached or not. Stained glass windows will invariably feature sheep and sometimes "them dry bones" of us humans. 

Hayley Parfitt, '1,000 metres or thereabouts', mixed media, May 2008. Photo: Diana Baur. Hayley is influenced by architecture and feats of engineering. She explores the picturesque context in engineering functional structures by creating artwork conceived directly as a result of insight gained from these constructions. She attempts to pass this on to the viewer in order that they may change their impression of the structure and expand their viewpoint.

'The Banff Centre'. Photo: Veronique Chance. Yet another view.

'The Banff Centre'. Photo: Veronique Chance. Another view of my surroundings.

'The Banff Centre'. Photo: Veronique Chance. A view of my surroundings.

don braisby, 'It could have been the Holy spirit', Paper Mate Marker Pen, 28th. February 2009.

TurnHurst, 'Just the Two of us Pt. 2', plaster, wiremesh, broom, 2009.

Alex Pearl & Andrew Vass, '??'.

Alex Pearl, 'Black Flag', c-type digital print (still wrapped up), 2008. Is white a trendy frame colour?

Alex Pearl, 'Goodbye to most of the daydreams', 2009.