Page 222 – a-n The Artists Information Company

Kitty Anderson. Photo: Alan Dimmick

Photo Credit: Julie Myers and Maria Anastassiou 2017/18

The Annotated Reader, Fruitmarket Gallery, Edinburgh, installation view

Installation view of Liz Johnson Artur: If you know the beginning, the end is no trouble at the South London Gallery, 2019. Photo: Andy Stagg

Jessica Warboys, Hill Of Dreams, video still, 2016

Juliana Huxtable, Untitled (Lil’ Marvel), 2015. Courtesy: the artist and JTT, New York © Juliana Huxtable, 2019

Alan Rutherford, ‘My Job is for my people’, 2019, four channel video installation

Joe Namy, 'Automobile' (2014), variable channel sound performance for cars w_super modified stereo sy

Oscar Murillo, The Institute of Reconciliation, 2017, installation view, The Showroom, London. Photo: Daniel Brooke

Abii Hampsey, Newcastle University Fine Art Degree Show 2019. Photo: Narbi Price

Zadie Xa, ‘Child of Magohalmi and the Echos of Creation’ (2019) HD video, film still (2)

Barbara Kruger, ‘Untitled (Blind Idealism Is…)’ (2016). A High Line Commission, on view March 2016 - March 2017. Photo by Timothy Schenck. Courtesy of Friends of the High Line

Joe Namy, Automobile, Beirut, 2013, variable channel sound performance for cars w_super modified

Joe Namy, Automobile, Montreal, 2016, variable channel sound performance for cars w_super modified

Emma Talbot, Suspended In Natural Space-Time, 2019, watercolour on Khadi paper, 30cm x 42cm. Photo: Emma Talbot

Emma Talbot, Open Thoughts, 2018, acrylic on silk, Never Aachener Kunstverein, Aachen, Germany. Photo: Achim Kukulies

Imogen Ellerby Sansom, Clandestine, Manchester School of Art ‘Everything Starts From Something’ Degree Show 2019. Photo: Jenny Steele

Representation of Female Artists in Britain During 2018 Evidence 3

Representation of Female Artists in Britain During 2018 Evidence 2

Representation of Female Artists in Britain During 2018 front cover

Rehana Zaman, Sharla Shabana Sojourner Selena, 2016. Courtesy: the artist