Page 2223 – a-n The Artists Information Company

neil armstrong, 'caption'.

neil armstrong, 'caption'.

neil armstrong, 'caption'.

neil armstrong, 'caption'.

Naomi St Clair-Clarke, ‘The Unconscious Significance of Hair: Queen’, 300x240x270cm, 2007.
human hair, synthetic hair, stockinette, glue, thread, steel, chicken wire, wadding, papier mache

Jeanine Woollard, ‘George’.
Courtesy: Gerard Millet.
welding mask, knitting needle, rubble bag, prosthetic hand, bandage, glove, pub umbrella, workmate, tins of all-day-breakfast, lamps, bungees, mud guard, soap dispenser, hand towel dispenser, mop, ear protectors, roller and exten

Jane Ponsford, 'Drawing: circle', Dyed handmade paper cast over wire, 1999. A piece of work from an exhibition, 'Paper' organized by the Ikon Gallery almost ten years ago.

alinah Azadeh, 'Crafting Space (roof detail, pre-woven)'.

'Susan Diab'. Courtesy: The Arizona Board of Regents and the Center for Image Processing, Arizona.

'Judith Alder and Roz Cran: Breaking Ground'. outside stairs at Crate

'Judith Alder and Roz Cran: Breaking Ground'. window at Crate

Peter Watkins, 'Hope of Additional Light / Now We See a Darkness. Untitled 6', Lambda print, 2008. Courtesy: Peter Watkins. Edition of 3.

Eleanor Moreton, oil on canvas, 30x24cm, 2008.
Courtesy: the artist and Ceri Hand Gallery.
Eleanor Moreton is also showing at Reg Vardy Gallery, University of Sunderland until 31 October, Durham Art Gallery, DLI, Durham until 12 October and the John Moores 25 Contemporary Painting Prize at Walker Art Gallery, Liverpool until 4 January 2009.

Jonathan Swain, 'Hole twelve', photograph, 2008.

Thomas Hirschhorn, 'The Incommensurable Banner (studio view)', 2007. Photo: Romain Lopez.

'Halifax, Frith St', photograph, 2007.

'Demo February 2003'.

Paul Hirst, 'Slightly more interesting than watching paint dry'.

Jonathan Swain, 'Hole twenty two', photograph, 2005.

Jeanette Orrell, 'two baskets', intaglio print, 2008.

Jeanette Orrell, 'two baskets', intaglio print, 2008.