Page 2299 – a-n The Artists Information Company

Adam Paxon, ‘Squirming ring with tail (striped)’, acrylic, silver effect leaf, 50 x 31mm, 2002.
Photo: Graham Lees.

Adam Paxon, ‘Squirming ring with tail (striped)’, acrylic, silver effect leaf, 50 x 31mm, 2002.
Photo: Graham Lees.

Adam Paxon, ‘Ring (drop down)’, acrylic, 62 x 49mm, 2002.
Photo: Graham Lees.

Kam Chan, b&;w photograph.

Courtesy: A-N Magazine .

Lynette Yiadom-Boakye, ‘The Signifying Donkey's Feat’, 2003.

Lynette Yiadom-Boakye, ‘Magret de Canard’, oil on canvas, 2005.

Lynette Yiadom-Boakye, ‘Ambassador’, Oil on canvas, 2003.

Julie Freeman, 'Nanotextures', Digital animation, Nov 2007. Still frame from an animated visual score titled: Translating Nature: B) Nanotextures. Created in Processing. 

'Bosigran Farm'.

Hazel Money, 'Looking Through the Trees, Nantyrarian', Acrylic on board, April 2008. Among the pines, below the swirling clouds, red kites and deafening fighter planes, sits a lonely artist. She has sandwiches but NO flask. A common oversight and a regrettable one.

'Signature of John (Beigarm?) Bosigran'.

'Wax seal on lease '.

'Lease for Bosigran Farm dated 1633'.

' '. Courtesy: All photographs taken courtesy of Royal Institution of Cornwall.

'Courtney Institute, Royal Cornwall Museum'.

Jo Lathwood. The first idea to go in the suitcase.

Jo Lathwood. Work in progress

Tamarin Norwood, 'Plant Pots Workshop'.

Jo Lathwood. Organ found on the street

Rachel Goodyear, 'Girl With Long Hair', Pencil on Paper, 2008. Courtesy: Leeds Met / Matt Roberts Art.

Sarah Morpeth, 'Joan's Book', paper, thread.

Sarah Morpeth, 'Joan's Book', paper, thread.

'the studio - lunchtime'. Photo: Sarah Morpeth.

Matt Lippiatt, 'Diving Board', 2008. Photo: Matt Roberts. Courtesy: Matt Lippiatt.