Hazel Money, 'Little Pine Lost', Acrylic on Board, April 2008. Just a small amount of shiny varnish can bring out the rich depth of blacks in particular, without having to smother your work with a thick glossy coat.
Singing dancing and waving in Liecester
'Rob Turner'. mosaic progress.
Paul Hirst, 'Remembered landscape', oil on paper.
Hayley Parfitt, 'PL-16/0308', Mixed media, march 2008. Photo: Hayley Parfitt. 3-D Sculpture,
Susie David, 'Bathroom (Still)', 2008. Courtesy: Susie David.
rob turner, 'Stourport Town Map.', mosaic. Mosaic progress, after the first cut.
Gary Bolam. Glasgow at night
Graham Swain, 'Seeking sanctuary', watercolour, oil pastel.
Christina Bryant, Mixed Media, April 08. Exploration with wire frame house
Paul Hirst, 'Remembered Landscape ?', Acrylic and Oil on canvas, 10th April 2008. 3.6m x 1.75m
Lesley Halliwell, ‘20 Assorted Colour Inks (Burnt Sienna)’, biro on paper, 45x50cm.
Photo: Pete Hope.
Cover of a-n magazine, April 2008
Megan Calver, ‘To match the song of a blackbird leave the house each day at dawn and listen’, Mixed media, 2008.
Courtesy: Megan Calver.
Megan Calver, 'To match the song of a blackbird leave the house each day at dawn and listen', Mixed media, 2008. Courtesy: Megan Calver.
