Page 2331 – a-n The Artists Information Company
Peter Ford, ‘Poznan Shadows’.
Part of the artists' curatorial team for 'Through the Lens', RWA photography open exhibition.
Clara Clark, ‘Grass’, various media, 100x120x80cm, 2007.
Mark Tanner Sculpture Award Winner 2007-8.
Charlotte Hodes, ‘Wallace Collection Series I 2005/06’, digitally manipulated drawing, inkjet with collaged fragments, 104cm x 137cm, 2006.
Winner of Jerwood Drawing Prize 2006.
Michael Shaw, ‘Doodle’, still from animated drawing, 2007.
Winner of the Discerning Eye Drawing Bursary 2007.
‘Kelly Large’.
Talking about the mechanisms for validating her work in Future forecast: Social space, Kelly Large said: "My audience includes my extended peer group and the people located in or connected up by the context that I operate in. Projects can take up to a year to complete therefore audiences encounter the work at different stages of development and in different forms that include lectures, conversations and publications. These forms are usually more far reaching than the actual 'art work' itself and create a longevity or permanence that the work itself doesn't have".
Nim-jo Chung, ‘Playtime for Alicia the Seal (Pathetic Fallacy Revisited)’, photographic print, 60x80, 2007.
Anna Keleher, ‘Hothouse’, beach hut with walls made from old juice cartons and roof of hardback books.
Selected for the 2007 'Recycle' open exhibition at Washington Gallery, Penarth.
‘Transforming Tate Modern, Night South View’.
© Herzog & de Meuron.
‘Mark Sladen’.
ICA Director of Exhibitions
Joel Tettamanti, ‘From the series Maloting, Lesotho’, c-print, 125x160cm, 2004.
Showing at Salle St-Georges of the Musee d'Art wallon as part of the 6th International Biennial of Photography and Visual Arts, Liege, Belgium.
Michael Landy, ‘No frills drawing’, 147x207.9cm, 2007.
Padraic E Moore, ‘Love token from he who is wholly consumed by
and devoted to that sacred fever (V Woolf/A Breton)’, 2007.
Courtesy: Imagefile.
‘Does Autonomy Matter?’, discussion event, Gasworks, London, December 2007.
Photo: (video grab): Jason Oakley.
‘Does Autonomy Matter?’, discussion event, Gasworks, London, December 2007.
Photo: (video grab): Jason Oakley.
Eric Bainbridge, ‘Das Rheingold (detail)’, shot glasses, melamine, 2006.
Courtesy: of the Artist and Workplace Gallery..
Tim Brennan, ‘The History of Blue’, Lightjet print, 112.5x150cm, 2006.
Clashmach Hill
Karen Guthrie, Nina Pope, ‘Bata-ville: We are not afraid of the future’, production still, 2005.
Photo: John Podpadec.
Dan Holdsworth, ‘Untitled (Array)’, C-Type print mounted onto aluminium, 122x152cm.
Courtesy: of the Artist and Store London.
Colin Rose, ‘Rain’, stainless steel, water, 2006.
Millennium Square, Sheffield. Commissioned by Sheffield City Council as part of the 'Heart of the City' regeneration Scheme
Phil Rawle, 'Installation for an empty window'.
Helen Thomas, 'preparatory drawing', oil pastel and acrylic on paper, 18th January 2008. Photo: Helen Thomas.
'cmk dusk photosketch'. Photo: Helen Thomas.
Elpida Hadzi Vasileva, ‘Butterflies in the Stomach’, Caul Fat, 2007-2008.
Photo: elpihv. Courtesy: elpihv.
installation
Elpida Hadzi Vasileva, ‘Butterflies in the Stomach’, Caul Fat, 2007-2008.
Photo: elpihv. Courtesy: elpihv.
installation
Elpida Hadzi Vasileva, ‘Butterflies in the Stomach’, Caul Fat, 2007-2008.
Photo: elpihv. Courtesy: elpihv.
installation