Page 2338 – a-n The Artists Information Company

BaseNorth, 'A still from Sexing up the whiteboard ', Digital Film, 12/07.

BaseNorth , 'A still from Sexing up the whiteboard ', Digital Film, 12/07.

BaseNorth, 'A still from Sexing up the whiteboard', Digital Film , 12/07.

Christina Bryant, 'Bedroom', Wire Installation, Sept 2005. Photo: Christina Bryant. 3d Wire Installation drawing of a bedroom scene. Close up view of part of the T.V and desk. Stroudhouse Gallery 'Furniture of Sorts' Exhibition.

Alexandria Clark, 'Were you there when you read this?', Book, 12th-16th November. Courtesy: Tether.

Alexandria Clark, 'Were you there when you read this?', Book, 12th-16th November. Courtesy: Tether. Book exhibition

Alexandria Clark and Matthew Cooper, 'Forecasts', Wood and text performance, 6th-8th November 2007. Photo: Samuel Mercer. Courtesy: Tether. Performance/live art

Alexandria Clark and Matthew Cooper, 'Forecasts', Wood and text performance, 6th-8th November 2007. Courtesy: Tether. Performance/live art

Kerry Morrison, ‘100 cauliflowers (85 here and 15 elsewhere)’.
Photo: Independent Photography.
Created with Islington Mill Art Academy as part of 'Peninsula' a 2 year programme on the Greenwich Peninsula.

Andrea Myklebust, Stanton Sears, ‘Cell Wall & Microbial Relief’, 2007.
University of Wisconsin, Madison Campus

Eleonora, ‘Aguiari Church’.
Located at the entrance to Bishops''Square within the Spitalifields Public Art Programme. Managed by Freeform Art Trust.

David Cotterrell, ‘Barton Hill project’.

Eric Bainbridge, ‘Heaven & Earth’, Hartlepool, 2001.
Managed by Tees Valley Arts.

S1 Applied, ‘Cutting Edge’.
Sheaf Square, Sheffield City Council

‘Selection for Bloomberg New Contemporaries 2007 exhibition’.
Photo: Anna Arca.
With Linda Norden, Michael Landy and Nigel Cooke.

Peter Ford, ‘Poznan Shadows’.
Part of the artists' curatorial team for 'Through the Lens', RWA photography open exhibition.

Clara Clark, ‘Grass’, various media, 100x120x80cm, 2007.
Mark Tanner Sculpture Award Winner 2007-8.

Charlotte Hodes, ‘Wallace Collection Series I 2005/06’, digitally manipulated drawing, inkjet with collaged fragments, 104cm x 137cm, 2006.
Winner of Jerwood Drawing Prize 2006.

Michael Shaw, ‘Doodle’, still from animated drawing, 2007.
Winner of the Discerning Eye Drawing Bursary 2007.

‘Kelly Large’.
Talking about the mechanisms for validating her work in Future forecast: Social space, Kelly Large said: "My audience includes my extended peer group and the people located in or connected up by the context that I operate in. Projects can take up to a year to complete therefore audiences encounter the work at different stages of development and in different forms that include lectures, conversations and publications. These forms are usually more far reaching than the actual 'art work' itself and create a longevity or permanence that the work itself doesn't have".

Nim-jo Chung, ‘Playtime for Alicia the Seal (Pathetic Fallacy Revisited)’, photographic print, 60x80, 2007.

Anna Keleher, ‘Hothouse’, beach hut with walls made from old juice cartons and roof of hardback books.
Selected for the 2007 'Recycle' open exhibition at Washington Gallery, Penarth.

‘Transforming Tate Modern, Night South View’.
© Herzog & de Meuron.

‘Mark Sladen’.
ICA Director of Exhibitions