Terry Atkinson, Greaser Slat 3, 1990.
Black: Implication Flooding, installation view at COLONY.
Sean Edwards, Untitled, gouache on chipboard.
Matthew Harrison, timber, veneers, cellulose painted aluminium brackets, stainless steel and aluminium fixings, steel, 2006-7.
Lucy Clout, Untitled, pastel paper, London brackets, painted
plywood shelf, four custom self-inking stamps, 2007.
Nils Norman, Portrait of our Lord Protector Gentrificator General, 2006.
Courtesy: the artist.
Lili Reynaud-Dewar, Queen Mother Nanny of the Mountains, burnt plywood, fabric, photocopies, vinyl record and sleeve, dimensions variable, 2006.
Strategic Questions Venice (detail), 2007.
Curated by Gavin Wade. Isola di San, Servolo, Venice Biennale.
Jock Mooney, 'Inventory, (front), 2004-ongoing, Moron'omo, (back), wall painting', 2006. Photo: Colin Davison.
From 'I wish I had electricity in my fingers then I'd blast ya', 2006.
Catherine Clover, The differences between scans and photographs
This scanner is an ordinary office scanner at Red Gate Gallery and has an extremely low depth of field. Nevertheless it adds some interesting qualities to the image that are not present in the photograph.
Catherine Clover, As above
Cicada found near Vault 1 of the Terracotta Army
These images appear rather dark on this blog, but are of a high resolution and contain a lot more information when seen in full.
Checking My Boundaries
A length of string marks the boundary of the allotment.
Bernard J Charnley, No Standing
Bernard J Charnley, Imaginaries
Bernard J Charnley, Displaced
Bernard J Charnley, Border Signs