Page 2370 – a-n The Artists Information Company

‘Mr Xia Tong’

‘Cam and Mr Xia Tong’

Catherine Clover, ‘The differences between scans and photographs’
This scanner is an ordinary office scanner at Red Gate Gallery and has an extremely low depth of field. Nevertheless it adds some interesting qualities to the image that are not present in the photograph.

Catherine Clover, ‘As above’

‘Cicada found near Vault 1 of the Terracotta Army’
These images appear rather dark on this blog, but are of a high resolution and contain a lot more information when seen in full.

‘Checking My Boundaries’
A length of string marks the boundary of the allotment.

Bernard J Charnley, ‘No Standing’

Bernard J Charnley, ‘Imaginaries’

Bernard J Charnley, ‘Displaced’

Bernard J Charnley, ‘Border Signs’

Alex Pearl, ‘Portrait’

Fran Wilde, 'Walker'. yellow electrical tape

Zadok Ben-David, ‘Black Field (detail)’, 2007.
Cover of a-n magazine, October, 2007.

The security at the entrance to the temple complex was far more stringent than any airport. You were body searched by two people, and couldn’t take anything in other than a wallet.

Aksherdam, instead, has men with signs requesting silence. It's the heavily policed and controlled space of the shopping mall.

Normally, temples have the same kind of social dynamic as the bazaar, a rich tapestry of individual devotional practice.

This is when you realise that Delhi is just a sprawling collection of villages.

In total contrast to the antiseptic Ashkerdam, here are the streets of Khirkee at night.

Wow! I wish I could smile like Rohini. I've got one of those lopsided grins.

Not that it bothers Hemant. He's been up to the Tibet border on his Royal Enfield Bullet

The street that Khoj is in. The whole of Khirkee Extension is illegal so there are no proper roads.

Time for a few shots of studio life. Manoji looks after the finances. Usually he sits in a chair.