Page 2458 – a-n The Artists Information Company
Gordon Dalton, You're not my friend, I'm just lonely, digital print, 2005.
Pots mean prizes.
Alberta Whittle, Video Flat Lux, video, 2005.
Rupert Clamp, Post It, 2004.
Polaroid photographs multiple for 'Multiplus'
Alison Turnbull, Irrigation, oil, acrylic and graphite on canvas, 2004-5.
Martin Jenkins, Seeing the Wood for the Trees, sculpture, corrugated cardboard, 160x180cm, 2005.
Dillan Marsh, Untitled, installation, mixed media, 2005.
The Coniston Water Festival.
Boat dressing event
Marcus Coates, Life in the Woods, 2004-5.
Emily Richardson, Block, 2004-5.
Ilana Halperin, The Eldfell Birthday Event, c-print on MDF, 40.5x61cm, 2004.
Rachhpal Singh Jhally, Peace, still from The Full Volume of the Mind, digital slideshow, 2005.
Cover of a-n Magazine, October 2005.
Michelangelo Pistoletto, Lieu de recueillement et de prière, 1999.
© Spiluttini.
Franceso Finizio, Errare Humanum Est, 2003-2004.
© Philippe Houssin.
Chen Zhen, Constellation humaine, Station La Paillade, Montpellier, 2000.
Project realised by Art Entreprise
Daniel Buren, Sans dessus-dessous (Topsy Turvy), Parc des Célestins, Lyon, 1994.
Project realised by Art Entreprise
Felice Varini, Vue de la cheminée, Parc du Centre, Villeurbanne, 2001.
Project realised by Art Entreprise
Chris Ofili, The Upper Room 1999-2002.
Photo: Lyndon Douglas. Courtesy: Chris Ofili, Afroco and Victoria Miro Gallery.
installation shot from Freedom One Day at Victoria Miro Gallery, 25 June 3 August 2002. Thirteen paintings were exhibited in a specially constructed space designed in collaboration with the architect David Adjaye. Purchased with assistance from Tate members, the National Art Collections Fund and private benefactors 2005.
Franko B, I Miss You!, 2003.
Photo: Hugo Glendinning.
Live Culture/Tate Modern.
Carolee Schneemann, Meat Joy, 1964.
reperformed as part of the Whitechapel Art Gallerys A Short History of Performance Part 1, 15-21 April 2002
Liam Gillick, Home Office, London, 2005.
Photo: Richard Bryant/Arcaid.co.uk. Courtesy: Farrells.
Christian Marclay, Guitar Drag, 2000.
Courtesy: the artist and Paula Cooper Gallery, New York. With thanks: Barbican Art Gallery.
Fashion Architecture Taste (FAT), Woodward Place.
New Islington redevelopment of the Cardroom Estate, East Manchester, 2005
Beat Streuli, Portraits in RWE Headquarters, Essen, 2005.
Sponsored by RWE
Mark Wallinger, 1999.
Courtesy: Anthony Reynolds Gallery.