Page 2458 – a-n The Artists Information Company

Kai-Oi Jay Yung, 4 May 2006. Upper Foyer, Gallery, in preparation

Kai-Oi Jay Yung, 4 May 2006. Upper Foyer, Gallery, in preparation

Kai-Oi Jay Yung, 4 May 2006. Upper Foyer, Gallery, in preparation

Kai-Oi Jay Yung, 1 May 2006. Fffftttt!, Final Stages

Kai-Oi Jay Yung, 1 May 2006. Working in the space

Kai-Oi Jay Yung, 1 May 2006. Blob Me, Final Stages

Kai-Oi Jay Yung, 1 May 2006. Final Stages

Kai-Oi Jay Yung, 1 May 2006. Courtesy: Image Copyright the Artist. Reshuffling to front of gallery

Roger Bacon. The alchemical sequence as described by one of the most famous alchemists

‘Flora Bowden and Leslie Farago’s studio at Wallis Road’.

‘Cambridge Heath Road Office before refurbishment’.

‘Bob and Roberta Smith take part in an educational project’.
Part of collaboration between Cell and Serpentine Gallery.

Richard Priestley, ‘Exterior view of installation’, March 2005.
‘The Future is Stupid’ exhibition, MAMA Showroom, Rotterdam.

‘Milika Muritu installing ‘TREEHUGGER’ exhibition’.
MAMA Showroom, Rotterdam, January 2005.

‘Opening event of ‘Teeth and Trousers’ exhibition’, June 2001.

‘Project Space refurbishment at Cambridge Heath Road in 2004’.

‘New studio at Cell’s Wallis Road site’.

‘Exhibition ‘The Beginning of the World...’’.
Marked the opening of the Cambridge Heath Road site.

‘Cell founders Milika Muritu and Richard Priestley’.
Outside Cell Project Space, Cambridge Heath Road.

, ‘2006 degrees’.

Bruce & Hannah Ayling & Conroy, ‘Ping pong asteroid’, 2006.
From ‘Fight for sore eyes’ at My House Gallery, as part of ‘Sideshow’. Cover of a-n Magazine, May 2006.

Kai-Oi Jay Yung, found wood, Scrap exhibition art wood, January 2006 + In progress.

Kai-Oi Jay Yung, found wood, Scrap exhibition art wood, January 2006 + In progress.

Kai-Oi Jay Yung, found wood, Scrap exhibition art wood, January 2006 + In progress. Image copyright of the artist

Yung collaboration with Martin and Cummings, December 2005. The public could climb up the wooden ladder (now a pillar support for Tech Pagoda) and the attached bobbins could be manoeuvred to regulate the pitch of a revolving record player. This was sat underneath and re-positionable to alter tone.&nb