Page 2459 – a-n The Artists Information Company

Barbara Kruger, ‘We Don't Need Another Hero’, 1987.
Commissioned and produced by Artangel.

Braco Dimitrijevic, ‘Monument to David Harper, the Casual Passer-By I Met at 11.28am, London 1972’, 1972.
Courtesy: the artist.

Braco Dimitrijevic, ‘The Casual Passer-By, 11.23am, Chelsea, London 2005’.
Courtesy: the artist.

Fergus Kelly, Dennis McNulty, Garrett Phelan, Sarah Pierce, ‘The Metropolitan Complex, No. 10’.
Courtesy: Sarah Pierce.
Printed for the Irish Pavilion at la Bienalle di Venezia, 2005.

‘Stellar, issue 16 press release’, Summer 2005.
Courtesy: David Osbaldeston.

‘Stellar, issue 16 cover’, Summer 2005.
Courtesy: David Osbaldeston.

Mark Titchner, ‘In Our Infinite Ignorance We Are All Equal’, woocut on paper, 297x420cm.
Courtesy: Andrew Hunt and the artist.
from Slimvolume Poster Publication 2001

‘Front cover of Slimvolume Poster Publication 2001’, letterpress on 300gsm Kapok recycled paper, 297x420cm.
Courtesy: Andrew Hunt.

Ed Ruscha, ‘Union, Needles California, 1962’, from the book Twentysix Gasoline Stations, 12.4x26.7cm.
Courtesy: Gagosian Gallery.

Ed Ruscha, ‘Twentysix Gasoline Stations’, Cover image, 1962.
Courtesy: Gagosian Gallery.

Poni collective, ‘Project 1’, 2005.
Courtesy: the artists.

Rirkrit Tiravanija, ‘A retrospective (tomorrow is another fine day)’.
Photo: Hugo Glendinning.
Serpentine Gallery, London, 5 July – 21 August 2005

Luc Tuymans, ‘Der Architekt’, 1997.
Courtesy: Zeno X Gallery.

‘A primitive hut’.
Pictured in the frontispiece of Marc-Antoine Laugier’s ‘Essai sur L’Architecture’, 1753

Ben Sadler, Phil Duckworth, ‘Live at Roadshow Dundee’, 2003.
Ben Sadler and Phil Duckworh are ‘juneau/projects’.

'Lee Fields performing as part of ?Romantic Detachment? , Chapter Arts, Wales', 2004.
Image includes: Mr Ice Cream, Mr Chocolate Bar and Mr Snowman (coffins) by Olaf Breuning; Sound system from a work by Matt Stokes; Video by the Welsh Tourist Board; Stage by Tom and Simon Bloor.

Olivia Plender, ‘The Masterpiece’.
Courtesy: The artist.
from A Weekend in the Country, issue 4, 2005

Aaron McCluskey, ‘Transit Station, Berlin’, February 2005.
NAN bursary supported Aaron McCluskey of Totalkunst to visit Transit Station in Berlin, Germany. Transit Station is organised by Dagmar Glaushitzer-Smith (Berlin) and Charles Ryder (London)

‘Field of Vision’, September 2004.
Lab Gallery/New York, 960 images by 220 artists collected over the internet and collaged by Digital Art Projects. A NAN bursary supported a trip to Frankfurt, Germany to establish new dialogues and foster collaborations

‘De Tours’, performance in Maribor, Slovenia, 2004.
Photo: YOlk.
YOlk's NAN bursary supported a networking trip to the Re-approaching New Media event in Minsk, Belarus

‘Stand Assembly’.
and its members have recently formed two new initiatives in order to help pursue their aims: NANASAUR and MOOT. NANASAUR was a successful networking mini-conference that took place 23 July 2005 and was funded through the NAN bursary scheme. MOOT is an independently run gallery/project space, which is due to open in October 2005

Andrea Lehmann, ‘-scopeLondon’, 2004.
presentation for Anna Klinkhammer Gallery, Dusseldorf, Germany

Michael Beutler, ‘Central avenue’, installation, 2005.
Courtesy: Galerie Michael Neff.
at Bonner Kunstverein/Neue Kunsthalle St Gallen

‘Exterior visualisation of porposed Hospital Arts, Culture and Heritage Centre’.
Image created by Softarc

‘Interior visualisation of proposed Hospital Arts, Culture and Heritage Centre’.
Image created by Softarc