Page 2461 – a-n The Artists Information Company

Cecily Brennan, ‘Bandaging’, video still, 2005.

Fiona Haser, ‘Bluehair’, photographic print.

Lindi Tristram, ‘Rockets’.

Nick Holmes, ‘Lost in translation’, acrylic on canvas, 97x127cm.

Samantha Clark, ‘Cloud Chamber’, polyfibre filling, nylon thread, variable, 2004.

Graham Dolphin, ‘Every Cosmetic from Vogue June 2004’, carbon on paper, 2004.
Cover of a-n Magazine, August 2005.

Miranda Whall, ‘Ladybirds’, watercolour animation, 4 minute loop, 2005.

Graham Dolphin, ‘Swimsuit Erase’, magazine page rubbed out, 2003.

Michael Pinsky, ‘Life Pulse’, 2004.
Photo: CCC.

Grace Lau, ‘Self Portrait’, colour print from negative, 2005.

Leo Hillier, ‘A One Night Stay’, page 28, hand drawn and digital images, limited edition artist book, 2005.

Langlands & Bell, ‘The Artists Studio’, 2002.
Courtesy: Langlands & Bell with V/Space LAB.
interactive digital animation/installation made in collaboration with Tom Barker's V/Space LAB which allows the visitor to navigate an interactive virtual model linking the mid-nineteenth century studio of the painter JMW Turner at Petworth House, West Sussex, with the contemporary east London studio of Langlands & Bell

Neville Gabie, ‘participants walking the Broomway as part of Coast commission’, 2005.
Photo: Alan Ward.

Karen Melvin, ‘Paper Dolls: The News’, ultrachrome pigment on cotton rag, 83x93cm.

Eva Weinmayr, ‘24 hours drinking? (detail)’, enamel on aluminium, 125x94cm, 2002.
from the 'Today's Question' series

Steven Duval, ‘Abergreen: A social laboratory’, installation shot, 2005.

Esther Jervis, ‘Polotaur’, C-type print, 24x16", 2005.

Richard Layzell, ‘Give me a chance’, performance, 2005.

Robert Johnstone, ‘After you've gone’.

Stuart McCaffer, ‘Harry takes a holiday’.
Photo: Joel Fildes.

Claire Petetin, ‘Video K.01’.
Photo: Alain Alquier.
Architect commissioned structure for showing video at Le Parvais, France.

Olivier Leroi, ‘tbc’.
Photo: Matt Hill.

Michael Pinsky, ‘Life Pulse’.
Part of the Panacea exhibition at CCC, Tours, France.

Pinsky's pole-like ‘Life Pulse’ registers and illuminates according to visitors' heartbeats, to create everchanging rythms and patterns of light.

Reactor Party, ‘To Power’, propaganda poster, 2005.
Cover of a-n Magazine, July 2005.

Spencer Tunick, ‘Ohio 1’, 2004.
Courtesy: Hales Gallery, London.
Museum of Contemporary Art Cleveland