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Whodunnit
Ming Wong, ‘Whodunnit’, 2004.
Page 2474 – a-n The Artists Information Company
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The Electric Garden
Riccardo Iacono, ‘The Electric Garden’, mini DVD colour stereo, 5 mins 47 secs, 2004.
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The artist (in the chair)
Samson Kambalu, ‘The artist (in the chair)’, 1975-1990.
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Road Diversion
Emily Cole, ‘Road Diversion’, oil on board, 43x33cm, 2003.
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Making the Invisible Visible
Mark Dixon, ‘Making the Invisible Visible’, ink, copper plates, 60,000 volts, 2004.
This image was taken by applying 60,000 volts across two 150mm copper mirrors then spraying atomised ink into the charged area. The whole process happens in about half a second.
This image was taken by applying 60,000 volts across two 150mm copper mirrors then spraying atomised ink into the charged area. The whole process happens in about half a second.
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The artist’s office
Lawrence Molloy, ‘The artist's office’.
Project for Situation Leeds. 'Delicate Matter' is a multi-sited work wherein the roles of curator, exhibition space, artist and exhibit are unpicked for the audience.
Project for Situation Leeds. 'Delicate Matter' is a multi-sited work wherein the roles of curator, exhibition space, artist and exhibit are unpicked for the audience.
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Massive tiny art shanty
Black Dogs, ‘Massive tiny art shanty’.
Photo: Andy Abbott.
Project from artist collective. Specially printed 'cut out and make' postcard packs allow the viewer to join in constructing a miniature art ghetto throughout the festival.
Photo: Andy Abbott.
Project from artist collective. Specially printed 'cut out and make' postcard packs allow the viewer to join in constructing a miniature art ghetto throughout the festival.
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Joined
Hilary Jack, Catherine Corlett, Paul Harfleet, Zac Ingham, ‘Joined’, 2005.
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I thought I was the audience and then I looked at you (detail).
Ruth Claxton, ‘I thought I was the audience and then I looked at you (detail).’, 2005.
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Billy and me
Graham Hutchinson, ‘Billy and me’, mixed media.
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Pentland Rising
Jenny Hogarth, ‘Pentland Rising’, still from the performance, August 2004.
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Pentland Rising
Jenny Hogarth, ‘Pentland Rising’, still from the performance, August 2004.
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Pentland Rising
Jenny Hogarth, ‘Pentland Rising’, still from the performance, August 2004.
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a-n Magazine April 2005
Clara Ursitti, ‘Dr. Lilly Replies in Dolphinese’, sound performance featuring Pelle Bolander and the Gothenburg Combo.
Photo: Henrick Zeitler.
Cover of a-n Magazine, April 2005.
Photo: Henrick Zeitler.
Cover of a-n Magazine, April 2005.
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Say Cheese
Johannes Phokela, ‘Say Cheese’, oil on canvas, 168x198cm, 2002.
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Apotheosis
Johannes Phokela, ‘Apotheosis’, oil on canvas (arched Stretcher), 2004.
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Untitled
Atta Kwami, ‘Untitled’, 2004.
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Untitled
Zwelethu Mthethwa, ‘Untitled’, C-print photographs mounted on UV plexiglass, 2003.
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Untitled
Zwelethu Mthethwa, ‘Untitled’, C-print photographs mounted on UV plexiglass, 2003.
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Mama
Toyin Sokefun, ‘Mama’, photograph, 2001.
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Untitled (Delfina)
Tapfuma Gutsa, ‘Untitled (Delfina)’, mixed media, 63x123x23cm, 1993.
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Horned Tigers
Toyin Sokefun, ‘Horned Tigers’, photograph, 2001.
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Wear and Tear
Dilomprizulike, ‘Wear and Tear’, performance, 2005.
at the Salon Afrique, Royal Festival Hall, London
at the Salon Afrique, Royal Festival Hall, London
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Hip Hop 3
Toyin Sokefun, ‘Hip Hop 3’, photograph, 2001.
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Hip Hop 2
Toyin Sokefun, ‘Hip Hop 2’, photograph, 2001.