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Cut Papers
Sachiko Abe, ‘Cut Papers’, live installation, gauze, paper, scissors, microphone and speakers, variable, 2005.
Courtesy: Laura Bartlett Gallery.
Courtesy: Laura Bartlett Gallery.
Page 2476 – a-n The Artists Information Company
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The actions of a disparate man
S Mark Gubb, ‘The actions of a disparate man’.
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Untitled
Tom Goddard, ‘Untitled’, digital still from animated film of St Asaph residents, 2005.
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Response ii
Sue Bradshaw, ‘Response ii’, mixed media on canvas, 95x95cm, 2004.
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Untitled
Laura Eldret, ‘Untitled’, 2004.
From installation, 'Doused here in weeping water near a missing moan'.
From installation, 'Doused here in weeping water near a missing moan'.
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a-n Magazine May 2005
Michael Murray, ‘UrbanAnts’, (detail), digital collage, 100x100cm, 2005.
Cover of a-n Magazine, May 2005.
Cover of a-n Magazine, May 2005.
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Future space cover
Rob Kesseler.
Teasel, digital image, colour enhanced electron micrograph of teasel pollen on anther, magnification x3k, 2004. Cover of Future space, May 2005
Teasel, digital image, colour enhanced electron micrograph of teasel pollen on anther, magnification x3k, 2004. Cover of Future space, May 2005
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The Wishing Tree
Sue Flowers, ‘The Wishing Tree’, community tree dressing event, 2001.
Photo: Hugh Miller.
For Green Close Studios at the Storey Gallery Gardens, Lancaster.
Photo: Hugh Miller.
For Green Close Studios at the Storey Gallery Gardens, Lancaster.
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The Future
Sue Flowers, ‘The Future’, artwork from YOTA residency, 2002.
Photo: Sue Flowers.
'Our Farms - Our Land - Our Earth'.
Photo: Sue Flowers.
'Our Farms - Our Land - Our Earth'.
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Pete Flowers at work
‘Pete Flowers at work’, in Green Close Studios.
Photo: Hugh Miller.
Photo: Hugh Miller.
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Singing Ringing Tree
Hilli McManus, ‘Singing Ringing Tree’, 1998.
Photo: Hugh Miller.
'Lune Valley Tree Dressing Day'.
Photo: Hugh Miller.
'Lune Valley Tree Dressing Day'.
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Green Close Studios
‘Green Close Studios’.
Melling, Lancashire
Melling, Lancashire
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Gibson Brothers Ltd
‘Gibson Brothers Ltd’, Agricultural Machinery Dealers.
Situated in Melling during mid 1900s, former occupants of Green Close Studios prior to development.
Situated in Melling during mid 1900s, former occupants of Green Close Studios prior to development.
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Silk Moves
Katy Lee, ‘Silk Moves’.
Photo: Lizzie Patel.
Photo: Lizzie Patel.
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You
Katy Dove, ‘You’, (stills), video, 2003.
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You
Katy Dove, ‘You’, (stills), video, 2003.
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Urbanbodies show 1
‘Urbanbodies show 1’.
(l to r) Sue Cohen, Stories of grandma, mixed-media, 2005; Barbara Dean, Wedding dress, mixed-media, 2005; Maslen and Mehra, Breathing Space (IV), medium format photograph on Duratrans, 2x1.3m, 2005; Raimi Gbadamosi, Look, neon sign, 2005; John Howe, Mr Noland Class 3C.
(l to r) Sue Cohen, Stories of grandma, mixed-media, 2005; Barbara Dean, Wedding dress, mixed-media, 2005; Maslen and Mehra, Breathing Space (IV), medium format photograph on Duratrans, 2x1.3m, 2005; Raimi Gbadamosi, Look, neon sign, 2005; John Howe, Mr Noland Class 3C.
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Situation News speculative headline
Situation News, ‘Situation News speculative headline’.
Photo: Emma Bolland.
Situation News are Emma Bolland and Jon Wakeman. Headlines from 'Situation News' will appearl on specially created newsstands throughout the city and will respond to the festival and tabloid and local press perceptions of contemporary art.
Photo: Emma Bolland.
Situation News are Emma Bolland and Jon Wakeman. Headlines from 'Situation News' will appearl on specially created newsstands throughout the city and will respond to the festival and tabloid and local press perceptions of contemporary art.
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Short Cut
Ingar Dragset, Michael Elmgreen, ‘Short Cut’, mixed-media installation with life-size car and camper, 2003.
Installed until 5 June on the forecourt of the Museum of Contemporary Art, Chicago for 'The Universal Experience - Art, Life and the Tourist's Eye', presenting across all four floors of the gallery work by more than seventy contemporary artists, who have responded to the experience of travelling and living in various cultures.
Installed until 5 June on the forecourt of the Museum of Contemporary Art, Chicago for 'The Universal Experience - Art, Life and the Tourist's Eye', presenting across all four floors of the gallery work by more than seventy contemporary artists, who have responded to the experience of travelling and living in various cultures.
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Untitled
Amy Bryant, ‘Untitled’, 2004.
In collaboration with Shani Ali
In collaboration with Shani Ali
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Whodunnit
Ming Wong, ‘Whodunnit’, 2004.
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The Electric Garden
Riccardo Iacono, ‘The Electric Garden’, mini DVD colour stereo, 5 mins 47 secs, 2004.
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The artist (in the chair)
Samson Kambalu, ‘The artist (in the chair)’, 1975-1990.
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Road Diversion
Emily Cole, ‘Road Diversion’, oil on board, 43x33cm, 2003.
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Making the Invisible Visible
Mark Dixon, ‘Making the Invisible Visible’, ink, copper plates, 60,000 volts, 2004.
This image was taken by applying 60,000 volts across two 150mm copper mirrors then spraying atomised ink into the charged area. The whole process happens in about half a second.
This image was taken by applying 60,000 volts across two 150mm copper mirrors then spraying atomised ink into the charged area. The whole process happens in about half a second.