Page 2476 – a-n The Artists Information Company

Nina Pope, Karen Guthrie, ‘Bata-ville: We are not afraid of the future’, film still, 2005.

‘Alessio Antoniolli (left) and Norman Rosenthal’.
Photo: Alan Dunn.

‘Figure of the Welch Tailor’, Derby porcelain, height 28.5cm, circa 1800.
Courtesy: Derby Museums and Art Gallery.

Alison Turnbull, ‘Pattern Recognition (left) and Ornamentation (right)’, 2005.
Photo: ArtSway. Courtesy: The artist and Matt's Gallery, London.

Gordon Dalton, ‘You're not my friend, I'm just lonely’, digital print, 2005.

‘Pots mean prizes’.

Alberta Whittle, ‘Video Flat Lux’, video, 2005.

Rupert Clamp, ‘Post It’, 2004.
Polaroid photographs multiple for 'Multiplus'

Alison Turnbull, ‘Irrigation’, oil, acrylic and graphite on canvas, 2004-5.

Martin Jenkins, ‘Seeing the Wood for the Trees’, sculpture, corrugated cardboard, 160x180cm, 2005.

Dillan Marsh, ‘Untitled’, installation, mixed media, 2005.

‘The Coniston Water Festival’.
Boat dressing event

Marcus Coates, ‘Life in the Woods’, 2004-5.

Emily Richardson, ‘Block’, 2004-5.

Ilana Halperin, ‘The Eldfell Birthday Event’, c-print on MDF, 40.5x61cm, 2004.

Rachhpal Singh Jhally, ‘Peace’, still from ‘The Full Volume of the Mind’, digital slideshow, 2005.
Cover of a-n Magazine, October 2005.

Michelangelo Pistoletto, ‘Lieu de recueillement et de prière’, 1999.
© Spiluttini.

Franceso Finizio, ‘Errare Humanum Est’, 2003-2004.
© Philippe Houssin.

Chen Zhen, ‘Constellation humaine’, Station La Paillade, Montpellier, 2000.
Project realised by Art Entreprise

Daniel Buren, ‘Sans dessus-dessous (Topsy Turvy)’, Parc des Célestins, Lyon, 1994.
Project realised by Art Entreprise

Felice Varini, ‘Vue de la cheminée’, Parc du Centre, Villeurbanne, 2001.
Project realised by Art Entreprise

Chris Ofili, ‘The Upper Room 1999-2002’.
Photo: Lyndon Douglas. Courtesy: Chris Ofili, Afroco and Victoria Miro Gallery.
installation shot from ‘Freedom One Day’ at Victoria Miro Gallery, 25 June – 3 August 2002. Thirteen paintings were exhibited in a specially constructed space designed in collaboration with the architect David Adjaye. Purchased with assistance from Tate members, the National Art Collections Fund and private benefactors 2005.

Franko B, ‘I Miss You!’, 2003.
Photo: Hugo Glendinning.
Live Culture/Tate Modern.

Carolee Schneemann, ‘Meat Joy’, 1964.
reperformed as part of the Whitechapel Art Gallery’s ‘A Short History of Performance – Part 1’, 15-21 April 2002

Liam Gillick, ‘Home Office, London, 2005’.
Photo: Richard Bryant/Arcaid.co.uk. Courtesy: Farrells.