Page 2482 – a-n The Artists Information Company

Susan Derges, ‘Fruitbody no. 1’, unique ilfochrome print, 50x60cm, 1999.

Maciej Wisniewski, ‘Instant Places’, 2002.
Courtesy: Postmasters Gallery, New York.

Paperrad, ‘Untitled’, 2002.
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Jasmila Zbanic, ‘Images from the Corner’, video still, 2003.

Phil Collins, ‘Baghdad Wedding’, video still, 2003.
Courtesy: Kerlin Gallery, Dublin.
Paul Hamlyn Foundation award winner in 2001.

Tracey Holland, ‘Electro-light 128’, backlit transparency, 40x30cm, 2004.

Jeanette Doyle, ‘Tonight, I am inappropriately interested in the bodies of those whom I may never meet’, enamel on perspex, 2004.
Courtesy: the artist.

Patricia MacKinnon-Day, ‘Chew until saturated’, DVD still.

‘Maria Carnesky and Francesca Baglione in Are You God?’.
Photo: Denise O'Brien.
St Peters Church, Vauxhamm, July 2002

‘Francesca Baglione and Arthur Lee perform Unfinished Novels’.
Photo: David Falkner.
Toynbee Theatre, Vauxhall, November 2003

‘Maria Carnesky and Francesca Baglione in Are You God?’.
Photo: Denise O'Brien.
St Peter's Church, Vauxhall, July 2002

Charlie Pulford, ‘Microscopic Stories - a listening environment’.
Photo: David Falkner.
The Courtroom, Toynbee Studios, November 2003

Aikaterini Gegisian, ‘When I was there, I had already left’, video still, 2003.
Work in progress

‘Performance choreographed by Aydin Tekir’.
Photo: Andrea Crociani.
In the deserted Sandima village

Janet Hodgson, ‘Time Machine’.
Photo: Garrard Martin.
A temporary projection installation by Janet Hodgson in vacant shop unit, Canterbury city centre

Roxane Permar, ‘Four Thousand Flowers’, 2003.
Volunteers from the local community heloped Roxane Permar to lay out 4,000 pansies in Normand Park in the first event to launch the public consultation conducted by architects Shillam & Smith for North Fulham NDC

Susan Collins, ‘Holy Mackerel’, still from video, 2001.
A series of stereo (video) viewers embedded into the building site perimeter hoardings in Canterbury city centre. Filmed entirely at the location, by day the work showed stereo video documentation of the site itself whilst by night the documentation was occasionally interrupted by a strolling Yeti

Jonathan Rabagliati, ‘Notes to Myself (Footnotes to the City)’.

Grennan and Sperandio, ‘Canterbury Windows’, 2002.
Photo: Garrard Martin.
A temporary series of painted shop windows depicting images of people who use the streets where the shops are located in Canterbury city centre

‘InFest networking session’.

‘InFest networking session’.

‘United Net-Works On The Road’.
Project at Access Gallery

Nisha Duggal, ‘make-up forever’, video still, 2004.

Eric Pascal Lesdema, ‘Untitled’, freestanding digichromes with light box, 4x3ft.
From the series Butchery By Light. The work was shown at Standpoint Gallery in 2000

Sunil Gupta, ‘Queens, New York/Lambeth, London’.