Page 2483 – a-n The Artists Information Company

Alia Syed, ‘Eating Grass’, film still, 2003.
Courtesy: the artist and Talwar Gallery, New York.

Johannes Phokela, ‘Flip-Flop Boys’, 2002.

Erika Tan, ‘Guarded proximity’, 1998.
Winner of an Arts Foundation Fellowship for Digital Art in 1998.

Samson Kambalu, ‘The Stoning of Tracy (No 09090416413)’, ink and Gideons Bible page on A2 paper, 2003.

Faisal Abdu'Allah, ‘The Last Supper Diptych’, 2 C-prints framed.
Collection: Arts Council England

Samson Kambalu, ‘Holy Ball’, 2003.

Keith McMurray, ‘Apples’.

Alison Watt, ‘Hood, and Flow’, installation, 2003.
Courtesy: Ingleby Gallery.
Shot at Ingleby Gallery, Edinburgh

Peter Freeman, ‘Pulse’, 2004.
Drake Street, Rochdale

‘Young artists working on board the Art Cruise’.

Rebecca Sutcliffe, ‘Neon Brights’, digitally created using U41a software and digitally printed onto fabric.

Jaume Plensa, ‘Breathing’.
Photo: Hayes Davidson.

‘Placa-Catalunya’.
A project by Barcelona-based 22a

Peter Hill, ‘The Beacon’, 9m Lighthouse, 2004.
On the roof of the Galton Valley Heritage Centre, Smethwick. Commissioned by The Public in partnership with British Waterways

Janet Cardiff, George Bures Miller, ‘Still from The Berlin Files’, film and sound installation, 2003.
Courtesy: the artists and Luhring Augustine, New York.

Janet Cardiff, ‘Forty-Part Motet’, installation view at the Whitechapel 2003, 2001.

Bryndis Snaebjornsdottir, ‘Nanoq: Flat Out and Bluesome’, installation, 2004.

Aernout Mik, ‘Stills from Glutinosity’, 2001.

Roland Hicks, ‘I am not going anywhere’, oil on canvas, 102x102cm, 2003.

Dexter Dalwood, ‘Sharon Tate's House’, collage, 2000.

Richard Boyd, ‘Site specific installation’, 2004.

Jane Bailey, ‘Recollections from the future’, video stills.

Jane Bailey, ‘Recollections from the future’, video stills.

Jane Bailey, ‘Recollections from the future’, video stills.

Jane Bailey, ‘Recollections from the future’, video stills.