Page 2488 – a-n The Artists Information Company

Jean Grant, ‘Paradise Street (The Pool lies enigmatically below)’.

Jennifer Douglas, ‘Nimbostratus Blue’.
Douglas used thousands of brightly coloured drinking straws to create a landscape in an orphaned, city centre shop front. The inspiration for the work came from the physical geometry of the Campsie Fells, one of Glasgow's main sources of water.

Ric Spencer, ‘Barefoot [I Cover the Waterfront]’.
From 12 April to 15 April Ric Spencer walked barefoot along the River Clyde's edge, cutting, and abrasing and generally toughening up the soles of his feet' along the way.

Danny Holcroft, ‘A preoccupation with insignificances’.

‘Hidden Art's stand’.
Milan Art Fair

Junko Mori, installation at Peter Jones department store, London.
Courtesy: the artist.

Yoyo Ceramics, ‘Is that Plastic - rectangular containers’.
Courtesy: Helen Johannessen, Yoyo Ceramics.

Emma Wallace, Harriet Sewell.
Courtesy: the artists.

Langlands & Bell, ‘The House of Osama bin Laden’, bomb shelter/bunker behind the House of Osama bin Laden, Daruntah, Eastern Afghanistan, April 2003.

Graham Fagen, ‘Theatre’, projected play, 2000.

Graham Fagen, ‘Theatre’, projected play, 2000.

Langlands & Bell, ‘NGO’, still from digital animation, 2003.
Courtesy: Langlands and Bell.

Paul Seawright, ‘Minefield’, C print on fuji crystal paper mounted on aluminium, Framed (edition of 6), 121.9x147.3cm, 2002.

Alison Unsworth, ‘Public Park’, 2004.
A5 brochure and website produced in response to Clifton Park in Rotherham, south Yorkshire and commissioned by Creative Partnerships Barnsley, Doncaster and Rotherham. See www.cliftonparkproject.net for more information.

‘Greener by Design’.
an exhibition by Spinifex of new eco-friendly furniture trying to raise awareness of green issues within modern living. Materials used include recycled plastic, bamboo and bio-degradable wool.

Ewa Rybska, Wladyslav Kazmierczak, ‘Street performance’, Carlisle, July 2004.

Dorrie Halliday, ‘Urban Angels’.
Halliday's project which focuses on the depiction of angels and their use as spiritual icons will feature in the Independents 04 strand of the Liverpool Biennial. Ten angel images will each be printed one hundred times and attached to one of one thousand helium filled balloons. The installation will help launch the Independent 04section of the Biennial on 16 September. When the angel-balloons land, recipients will contact the artist with its location and this will then be tracked via a website. Halliday will then conduct a tour of the locations.

Amanda Coogan, ‘Headbangers’.
Photo: Alexandra Wolkoski.
Commissioned by Liverpool Biennial 04.

Jan Lemitz, ‘Island photographs’, C-type print, 2002.
Lemitz is one of the artists featured in the publication freefall: International Artists Fellowship Programme

Anna Schrey, ‘Liegende’, colou pencil on paper, 240x450cm, 2004.

Caroline Wright, ‘The visitor experience’.

Judy Spark, ‘River Jelly - Collema dicotomum’, installation view.
in the Fernery, St Andrews Botanic Gardens

‘Do something for Floating ip’, installation shot, 2004.

Andrew Hewitt, Melanie Jordan, Giorgio Sadotti, Paul O Neill, Mike Henry, ‘Do something for Floating ip’, installation shot, 2004.

Anne Rook, ‘Landscape of Constraint (detail)’, mixed media, 2004.