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Distance Made Good: Field Study
Jen Southern, ‘Distance Made Good: Field Study’, with Jen Hamilton.
Page 2495 – a-n The Artists Information Company
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Gathered
Rob Kesseler, ‘Gathered’, a dinner held in Grizedale Forest, 2000.
Photo: Claire Shoosmith.
Kesseler hosted a dinner using a specially created dinner service decorated with images of of pollen collected from the forest
Photo: Claire Shoosmith.
Kesseler hosted a dinner using a specially created dinner service decorated with images of of pollen collected from the forest
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corncockle
Rob Kesseler, ‘corncockle’, installation view. The images are printed onto vinyl mesh.
Photo: the artist.
The banners carry digitally manipulated images of wildflower pollen photographed on a scanning electron microscope and are sited adjacent to the site from which the pollen was collected last year.
Photo: the artist.
The banners carry digitally manipulated images of wildflower pollen photographed on a scanning electron microscope and are sited adjacent to the site from which the pollen was collected last year.
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mustard
Rob Kesseler, ‘mustard’, original magnification x3k, 200x200cm.
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mayweed pollen
Rob Kesseler, ‘mayweed pollen’, original magnification x4k, 420x420cm.
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poppy
Rob Kesseler, ‘poppy’, original magnification x3k, 380x380cm.
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Constant
‘Constant’, director of Snackart..
Work by Matthew Baroloo and Tabatha Tucker on screens.
Work by Matthew Baroloo and Tabatha Tucker on screens.
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hawkweed
Rob Kesseler, ‘hawkweed’, original magnification x2k, 100x200cm.
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mayweed
Rob Kesseler, ‘mayweed’, banner installation view.
Photo: The artist.
Photo: The artist.
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25hrs
‘Jorge Barvo and Manuel Saiz’.
Two of the 25hrs curators at Lux's previewing facilities.
Two of the 25hrs curators at Lux's previewing facilities.
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Rob Kesseler speaking in front of staff members from NESTA
Rob Kesseler, speaking in front of staff members from NESTA at The Royal Botanic Gardens, Kew, 5 September 2003.
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Wollenmaiden
Olof Bjornsdottir, ‘Wollenmaiden’, installation detail, 2003.
Photo: Daniel Brooke.
Commissioned by The Showroom, London
Photo: Daniel Brooke.
Commissioned by The Showroom, London
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Antonio Ortega and the Contestants
Antonio Ortega, ‘Antonio Ortega and the Contestants’, installation view, 2002.
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Decibel
‘Decibel’.
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Untitled
Matti Braun, ‘Untitled’, 2003.
Photo: Daniel Brooke.
Commissioned by The Showroom, London
Photo: Daniel Brooke.
Commissioned by The Showroom, London
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Blue Rinse
Claire Norcross, ‘Blue Rinse’, (detail).
Commissioned by Elle Decoration to be auctioned in aid of Shelter
Commissioned by Elle Decoration to be auctioned in aid of Shelter
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Lightcatcher
Suzanne Redstone, ‘Lightcatcher’.
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The Lovely Flowers
Clive Gillman, ‘The Lovely Flowers’.
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Washed Ashore
Emily Bellhouse, ‘Washed Ashore’.
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Birds
Franki Austin, ‘Birds’.
One of sixteen panels
One of sixteen panels
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Drawing in space (No 2)
Joanna Mowbray, ‘Drawing in space (No 2)’, stainless steel maquette, 2002.
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Web Demographic
Talking Birds, ‘Web Demographic’, screen grab, 2003.
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Seascape
Jane Bentley-Taylor, ‘Seascape’, photograph, 107x171cm, 2002.
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After Utah Saint
Fred Tomaselli, ‘After Utah Saint’, Iris print, 46.3x33.7cm, 2000.
Edition of 100
Edition of 100
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Signs that say what you want them to say and not signs that say what someone else wants you to say
Gillian Wearing, ‘Signs that say what you want them to say and not signs that say what someone else wants you to say’, c-print, 40x30cm, 1992-93.
Courtesy: Maureen Paley Interim Art, London.
Gillian Wearing is featured in the Scoping Audience section.
Courtesy: Maureen Paley Interim Art, London.
Gillian Wearing is featured in the Scoping Audience section.