Page 2497 – a-n The Artists Information Company

Tom Ellis, ‘Dead Hotel’, wood, MDF, glue and polystyrene, 60x40x40cm.

John Hammersley, ‘Tabula Rasa’, 2003.
Photo: Cath Tarbuck.

Julie Read, ‘Untitled’, projected computer animation, 2003.

Mike Stubbs, ‘Jump Jet’, public projection, 2003.
Photo: John Chapman.

Franklyn Rodgers, ‘Mr Johnson’, photograph, 1999.

Helen Sear, ‘Spot 2’, photograph, 2003.

Yara Elsherbini, ‘God Bless America’, live piece, 2003.
Photo: Manuel Vason.
Part of Ex Centris - Buillerno Gomez-Pena, 'Live Culture', Tate Modern

Yara Elsherbini, ‘Temporary McShelter’.

(Part of a United Nations Survival Kit)

Yara Elsherbini, ‘Temporary McShelter’.

Part of a United Nations Survival Kit

John Goto, ‘Pasturelands’, photograph, 2000-01.

Kara Walker, ‘Endless Conundrum’, (detail), cut paper on wall, 2001.

‘Making Contemporary Art’.

Installation view of Expo Centre.

Gavin Wade (UK), What is Harmonic? 2003 (centre). Howard McCalebb (USA), Global Jungle, 2002 (left). Damian Flares Cortes (Mexico, right).

Installation view of Expo Centre.

Left to right: Kareema Al-Shomali (United Arab Emirates), Barriers. Richard Priestley, Uranus Mission Probe. Bakr Shelkhoon (United Arab Emirates), The Vent Chamber.

Peter Lewis, curator of the Sharjah Biennial, directs the biennial's identity photo shoot.

Damien Robinson, ‘Aerial’, (screenshot), digital animation and sound, 2002.

Ahn Pil Yun, ‘Untitled’, installation, 2003.

Tatsumi Orimoto, ‘Bread Man’, performance in Sharjah.

Alison F Bell, ‘Red Bird’, (detail), large format digital print overpainted with pigments, applique, stitched into silk satin.
Photo: Kevin MacLean.

Alison F Bell, ‘Cat Knit’, (detail), large format digital print overpainted with prigments.
Photo: Kevin MacLean.

Alison F Bell, ‘Cat Knit’, large format digital print overpainted with pigments, 72x60".
Photo: Kevin MacLean.

Jen Southern, ‘Distance Made Good: Field Study’, with Jen Hamilton, 2003.

Dunlop Gallery, Sherwood, Canada.

Jen Southern, ‘Distance Made Good: Field Study’, with Jen Hamilton.

Rob Kesseler, ‘Gathered’, a dinner held in Grizedale Forest, 2000.
Photo: Claire Shoosmith.
Kesseler hosted a dinner using a specially created dinner service decorated with images of of pollen collected from the forest

Rob Kesseler, ‘corncockle’, installation view. The images are printed onto vinyl mesh.
Photo: the artist.
The banners carry digitally manipulated images of wildflower pollen photographed on a scanning electron microscope and are sited adjacent to the site from which the pollen was collected last year.