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You killed my brother
Dafna Moscati, ‘You killed my brother’, performance, 2003.
Photo: Ulrike Enslein.
Photo: Ulrike Enslein.
Page 2497 – a-n The Artists Information Company
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The Cave
Baruch Shacham, ‘The Cave’, 2003.
Photo: Ulrike Enslein.
Photo: Ulrike Enslein.
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Cleaning the old city walls
Liron Meshulem, ‘Cleaning the old city walls’, 2003.
Photo: Ulrike Enslein.
Photo: Ulrike Enslein.
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Walking in Jerusalem (artist waiting outside Makhane Yehuda market)
Jonathan Touitou, ‘Walking in Jerusalem (artist waiting outside Makhane Yehuda market)’, 2003.
Photo: Ulrike Enslein.
Photo: Ulrike Enslein.
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Confession Box
Ulrike Enslein, ‘Confession Box’, 2003.
Photo: Ulrike Enslein.
Photo: Ulrike Enslein.
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Untitled #15
Juan delGado, ‘Untitled #15’, c-print, London, 2001.
From The Wounded Image series
From The Wounded Image series
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Eye-See
‘Eye-See’, film shorts about visual agnosia.
Director: Sal Anderson, Producer: Emma Crichton-Miller and Tony Dowmunt with Dr Roz McCarthy. A Rosetta Pictures/APT Films production, supported by Science on Stage & Screen in 2001
Director: Sal Anderson, Producer: Emma Crichton-Miller and Tony Dowmunt with Dr Roz McCarthy. A Rosetta Pictures/APT Films production, supported by Science on Stage & Screen in 2001
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Anmia
Juan delGado, ‘Anmia’, c-print, Valencia, 1993.
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Angela
Juan delGado, ‘Angela’, c-print, Valencia, 1991.
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Untitled #11
Juan delGado, ‘Untitled #11’, c-print, London, 2001.
From The Wounded Image series
From The Wounded Image series
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Arc de Cercle
Juan delGado, ‘Arc de Cercle’, still from video performance, 2003.
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Low Scenic
Claire Barclay, ‘Low Scenic’, 2003.
Photo: Jerry Hardman-Jones.
From 'Zenomap', a presentation of new work from Scotland at Venice Biennale.
Photo: Jerry Hardman-Jones.
From 'Zenomap', a presentation of new work from Scotland at Venice Biennale.
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Recycling, Forms for the next century
Edward Barber, ‘Recycling, Forms for the next century’, installation shot.
Courtesy: Crafts Council Photostore.
Courtesy: Crafts Council Photostore.
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Portrait Garden
Catherine Yass, ‘Portrait Garden’, lithochrome transparency and lightbox, 2000.
From the Deutsche Bank art collection
From the Deutsche Bank art collection
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Unsung heroes
Lynn Setterington, ‘Unsung heroes’, 150 x 310cm.
Courtesy: Shipley Art Gallery, Tyne and Wear Museums.
Courtesy: Shipley Art Gallery, Tyne and Wear Museums.
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That Rush
Isaac Julien, ‘That Rush’, installation detail, 1995.
Photo: Andrew Whittuck/ICA. Courtesy: ICA, London.
From the exhibition 'Mirage: enigmas of race, difference and desire, ICA
Photo: Andrew Whittuck/ICA. Courtesy: ICA, London.
From the exhibition 'Mirage: enigmas of race, difference and desire, ICA
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Rhapsodies in Black: Art of the Harlem Renaissance
‘Rhapsodies in Black: Art of the Harlem Renaissance’, 1997.
Courtesy: Hayward Gallery, London.
At the Hayward Gallery
Courtesy: Hayward Gallery, London.
At the Hayward Gallery
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Ten.8
‘Ten.8’, quarterly photographic magazine, issue 22, 1986.
Cover design 'Sade by Heroes'
Cover design 'Sade by Heroes'
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Installation detail
Lyle Ashton Harris, ‘Installation detail’, 1995.
Photo: Andrew Whittuck/ICA. Courtesy: ICA, London.
From the exhibition 'Mirage: enigmas of race, difference and desire', ICA.
Photo: Andrew Whittuck/ICA. Courtesy: ICA, London.
From the exhibition 'Mirage: enigmas of race, difference and desire', ICA.
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New English Calligraphy
Xu Bing, ‘New English Calligraphy’, mixed-media installation, 1997.
Bing's exhibition at Chinese Arts Centre continues to 24 December
Bing's exhibition at Chinese Arts Centre continues to 24 December
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ACA Microresidency artrists
‘ACA Microresidency artrists’.
Photo: Lee Cavaliere.
In a shooting butt near Allenheads
Photo: Lee Cavaliere.
In a shooting butt near Allenheads
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Tall double curved series V
Frances Priest, ‘Tall double curved series V’, slab formed clay, 2003.
'What is craft?' exhibition at the Hub
'What is craft?' exhibition at the Hub
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The Hub
‘The Hub’.
Sleaford
Sleaford
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Exchange
Debbie Akam, ‘Exchange’, video installation.
Photo: Pori Medlock.
Part of Chrysalis Arts' Transformation and Change project for Skipton Renaissance Market Towns programme
Photo: Pori Medlock.
Part of Chrysalis Arts' Transformation and Change project for Skipton Renaissance Market Towns programme
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Eating Grass
Alla Syed, ‘Eating Grass’, 2003.
film stills
film stills