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I’m… going to work
‘I'm... going to work’, handmade dolls, 2003.
Sparks
Sparks
Page 2499 – a-n The Artists Information Company
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The Chromatic Diet
Sophie Calle, ‘The Chromatic Diet’, photographic prints and text, 1997.
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Melbourne (no. 2 in edition of 6)
Spencer Tunick, ‘Melbourne (no. 2 in edition of 6)’, cibachrome face mounted on plexi-glass, 125.5x156.5cm, 2001.
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Wrapped Bunny, canvas and dried blood, from perfomance of ‘I Miss You’ at Tate Modern, March 2003
Franko B, ‘Wrapped Bunny, canvas and dried blood, from perfomance of 'I Miss You' at Tate Modern, March 2003’, glue and found/personal object, 37x20x18cm.
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still life
Franko B, ‘still life’, 2000-2002.
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Mersey Wave Gateway
‘Mersey Wave Gateway’, Art2architecture.
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Three Light Wands
‘Three Light Wands’, Art2architecture.
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Absent Present II
Effie Burns, ‘Absent Present II’, flat glass, 600x350x0.4cm.
© 2003.
© 2003.
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Do not disturb
Sharon McJannet, ‘Do not disturb’, glass, silicon, pigment, thread, 70x30x15cm, 2003.
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Sweet thing
Renata Heygi, ‘Sweet thing’, gelatin print, 73x112cm, 2003.
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Eurhythmy maquette
Andrew Cooper, ‘Eurhythmy maquette’.
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Eurhythymy
Andrew Cooper, ‘Eurhythymy’.
Photo: Mal Bennett.
Photo: Mal Bennett.
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Green man
Wayne Chisnall, ‘Green man’, fibre glass and plastic, life size.
Chisnall is a member of Network A.D.
Chisnall is a member of Network A.D.
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Reading the River
Steve Bradley, ‘Reading the River’, 2002.
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Truelove
Stefan Gec, ‘Truelove’, 2002-2003.
Gec highlighted Hull's whaling industry history and the story of an Inuit couple who had been brought back on one of the whaling ships, the Truelove, by an enlightened captain so that they could inform the British whalers and public about the brutality which their people faced at the hands of the whalers. Gec made copies of the plaster cast heads of the two Inuits which are on display in Hull's Maritime Museum. He then mounted the new busts on an existing steel pillar in the river, close to the Tidal Barrier.
Gec highlighted Hull's whaling industry history and the story of an Inuit couple who had been brought back on one of the whaling ships, the Truelove, by an enlightened captain so that they could inform the British whalers and public about the brutality which their people faced at the hands of the whalers. Gec made copies of the plaster cast heads of the two Inuits which are on display in Hull's Maritime Museum. He then mounted the new busts on an existing steel pillar in the river, close to the Tidal Barrier.
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Dark Water and Dry Dock
Benedict Phillips, ‘Dark Water and Dry Dock’, 2002.
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Dark Water and Dry Dock
Benedict Phillips, ‘Dark Water and Dry Dock’, 2002.
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Dark Water and Dry Dock
Benedict Phillips, ‘Dark Water and Dry Dock’, 2002.
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Symposium
Michael Pinsky, 2001.
Pinsky cut a car in half and mounted one half on the edge of the Wilmington Swing Bridge and the other on a nearby bank. The two halves were reunited to become one when the bridge swung shut. When this happened the car alarm and lights were triggered in a joyful display of reunification.
Pinsky cut a car in half and mounted one half on the edge of the Wilmington Swing Bridge and the other on a nearby bank. The two halves were reunited to become one when the bridge swung shut. When this happened the car alarm and lights were triggered in a joyful display of reunification.
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Symposium
Michael Pinsky, 2001.
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Deep chalice bowl
Ivar Mackay, ‘Deep chalice bowl’, poured purple speckled copper red glaze on porcelain, 2001.
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Hedgerow Cauldron
Lise Bech, ‘Hedgerow Cauldron’.
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Burnished Sagger Fired Vessels
Jane Perryman, ‘Burnished Sagger Fired Vessels’, 25x40cm.
Photo: Graham Murrell.
Photo: Graham Murrell.
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No! All that is here, is all that there is
Geoffrey Parr, ‘No! All that is here, is all that there is’.
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Flamenco Dancer in the Atrium
Martin Figura, ‘Flamenco Dancer in the Atrium’, 2003.