Page 2500 – a-n The Artists Information Company

Caroline Wright, pinhole camera, 6x1.5cm, 2002.
From Conversations with Friends

Unknown Writer, ‘Some one or Something (the trouble with emancipation)’, 2003.
Courtesy: Jeffrey Charles Gallery.

Matt Golden, ‘Weekend Rocker’, 7000 sheets of A4 paper and listening device, 2002.

J.A. Nicholls, oil and acrylic on canvas, 2002.

Binita Walia, (detail), 2003.

‘Koyo Yamashita, director of the sales and planning department, in his office at Image Forum, Tokyo’.

‘John Thompson and Michael Gillespie, directors of Foxy Productions’.

Martin Prothero, (detail) carbon, glass, 30x20cm, 1999.

Rosie Leveton.

‘Students' temporary intervention in the sculpture garden of the College of Fine and Applied Arts’.

‘Installation view of students' work at the National Museum of Sudan’.

‘student sculpture workshop in the quadrangle of the College of Fine and Applied Art’.

Miles Henderson Smith, Stefan Bottenberg, ‘Installation view’.
Photo: Einar F Ingolfsson.
Miles Henderson Smith, Model city (detail), corrugated cardboard, and Building structures, oil on canvas, Stefan Bottenberg, Two studies for a Bavarian pipe smoker, acrylic and embroidery on wood

Miles Henderson Smith, Tom Merry, Gisli Bergmann, Birgir Snæbjörn Birgisson, ‘Installation view’.
Photo: Einar F Ingolfsson.
Left to right, Stefan Bottenberg, Belgian villas, embroidery on bed base, Tom Merry, Untitled sculptural head, Gisli Bergmann, The event: departure and the berserk, acrylic on canvas, Birgir Snæbjörn Birgisson, Blond nurses series, drawings, Miles Henderson Smith, How to build yourself a castle without walls, painting

Miles Henderson Smith, Andy Child, Tom Merry, ‘Installation view’.
Photo: Einar F Ingolfsson.
Left, Andy Child, Abstract cut-outs, back, Tom Merry, Untitled mixed media collages, front, Miles Henderson Smith, life-size model table and chair, corrugated cardboard

‘Cyprus College of Art, students’.

‘Entrance to Cyprus College of Art’.

‘Great Wall of Lempa at Cyprus College of Art’.

Blast Theory, ‘Kidnap’, 1998.

Blast Theory, ‘Kidnap’, 1998.

Performance event with web transmission where online audiences could control camera angles. Sponsored by Firetrap and Dazed & Confused

Blast Theory, ‘TRUCOLD’, 2002.

Blast Theory, ‘TRUCOLD’, video stil, 2002.

Created for the 2002 Biennale of Sydney, Australia

Blast Theory, ‘Can You See Me Now?’, 2001.
© Blast Theory.
Interactive game played online and on the streets using mobile devices. Commissioned by Shooting Live Artists (BBC, Arts Council England and The Culture Company)

Blast Theory, ‘Something American’, 1996.

Blast Theory, ‘Something American’, performance, 1996.
© Blast Theory.
Commissioned by Contemporary Archives, Nottingham, and toured internationally