Page 2508 – a-n The Artists Information Company

Siggi Hofer, ‘Ohne Harmony (Without Harmony)’, installation view, Kuntstbuero, Vienna, 2002.

Eszter Agnes Szabó, Monica Balint, ‘Hungarian feast with B+B at Home at the Austrian Cultural Forum’, Sunday 23 March 2003.
Photo: Anthony Auerbach.

Johanna Kandl, ‘Untitled (Modernize...)’, 2002.
Courtesy: Galerie Christine KÖnig, Vienna.

Charlie Murphy, ‘The Art of Tickling Trout and Other Sensual Pleasures’, DVD, installation, 2003.

Tony Sinden, ‘Elevation’, 2002.

Charlie Murphy, ‘The Art of Tickling Trout and Other Sensual Pleasures’, DVD, installation, 2003.

Emilia Telese, ‘Sleepwalking’, photo diary, 2003.

Tony Sinden, ‘Behold Vertical Devices’, 1974 (reconstruction 2002).

Chad McCail, ‘Things get quieter and colder as habits form’, digital print on Fuji archival paper, 48.5x48.5cm, 2003.
Courtesy: Laurent Delaye Gallery, London.

Chad McCail, ‘Money is destroyed’, gouache on paper, 77.5x155cm, 1999.
Courtesy: Laurent Delaye Gallery, London.

Chad McCail, ‘The source of life to come’, digital print on Fuji Archival Paper, 48.5x48.5cm, 2003.
Courtesy: Laurent Delaye Gallery, London.

Chad McCail, ‘Land is Shared’, gouache on paper, 77.5cm x 155cm, 1999.
Courtesy: Laurent Delaye Gallery, London.

Will Self.
datail of the first draft of a 12,000 word short story. From 'Further up in the Air', archive

Catherine Bertola, ‘If walls could talk... (detail)’, 2002.

From 'Further up in the air', archive

Stefan Gec, ‘Untitled’, 2002.

work in progress. From 'Further up in the Air', archive

‘Park Life, Park fiction rave around the park fiction container’, 1998.
Photo: Hinrich Schultze.

‘Park Life’.
Photo: Christoph Schaefer.
Poland. Subversively embedded in the brickwork is the identity of the immigrant Polish workers who built this smart shopping mall in the eighties

‘Nightclubs at the Arizona Road; pirate copy bought at the market’.

‘Map of Broko District, Bosnia Herzogovina’.

with the location of the Arizona Road - the name given by the Military to the South Highway

‘Military road sign, Arizona Market’, 2000.
Photo: Azra Aksamjia.

Ben Cove, ‘work in progress at Yorkshire Artspace, Sheffield’.

Karen Welsh, ‘Karen Welsh working at the Richard Attenborough Centre, Leicester’.

Karen Welsh, ‘working on a series of casts of pig's ovaries’.

Rosalind Nashashibi, ‘Dahiet Al Bareed’, 2002.

Kate Baden Fuller, ‘stained glass screens at Charing Cross hospital’.