Page 2508 – a-n The Artists Information Company

Kate Southworth, ‘Who Owns Them Controls’, interactive net art, 2001.

Kate Southworth, ‘Rogue State of Mind’, interactive net art, 2002.

Michael T Magruder, ‘[transmission]’, interactive net art, 2003.

Lisa-Dionne Morris, ‘Tableware’.

Lisa-Dionne Morris, ‘Tableware’.

Gabriele Koch, ‘Giant Sphere’, 60cm diameter.

Currently on show at Yorkshire Museum.

‘Wigs of Wonderment’.

‘Wigs of Wonderment’.

‘Wigs of Wonderment’.

‘Wigs of Wonderment’.

‘Wigs of Wonderment’.

A multimedia interpretation of the performance installation by motiroti

Stuart Ross, ‘From the series My Mums Photos of Car Boot Sales and Village Fetes’, photograph, 50x60cm, 2002.

Felicity Aylieff, ‘Thin End’, 2001.
Photo: Richard Weltman.

Antoinette Haechler, ‘The sum of its parts, part 3’, 2002.

Neil Cummings, Marysia Lewandowska, ‘Free Trade’, (detail), 2003.

Free Trade was the result of a collaboration between the artists and exhibitions curator at Manchester Art Gallery. After a years research, the project resulted in the installation of the Beatson Blair Bequest, a series of guided walks, a lecture, two video loops and an audio track.

Binita Walia, (detail), 2003.

Zarina Bhimji, ‘Howling Like Dogs, I Swallowed Solid Air’, transparency in light box, 130x 170x 12.5cm, 2003.
Bhimji was DAAD: Artists-in Residence 2002-03.

Jeremy Deller, ‘The Battle of Orgreave’, 2001.
Photo: Martin Jenkinson. Courtesy: Artangel.

Neal White, ‘I Need to Know’.
Photo: Jeannine Richards.
Installation detail from Artlab 5 at Imperial College, London, 2000. Curated by Jeannine Richards and Charlotte Cullinan.

Neal White, ‘Uncontrolled Hermetic’.

installation detail from The Cleanrooms, a group show featuring Neal White, Critical At Ensemble and Gina Czarnecki at Gallery Oldham, 2002. Curated by Arts Catalyst.

Neal White, ‘Uncontrolled Hermetic’, installation.

detail from The Cleanrooms, a group show featuring Neal White, Critical At Ensemble and Gina Czarnecki at Gallery Oldham, 2002. Curated by The Arts Catalyst.

Michael Atavar, ‘sciis [sensitive cumulative intelligent immersive systems]’, 2001.

Michael Atavar, 2001.
Atavar was artist-in-residence at the Guardian newspaper during Year of the Artist in 2000.

‘Ally Wallace's studio’.

‘Richard Forster in his studio’.