Page 2512 – a-n The Artists Information Company

Samantha Clark, ‘Lie of the Land’, routed birch ply panelling, 2003.
Photo: Keith Hunter.
In the foyer of the secondary school, Community School of Auchterarder, Perthshire.

Susie Hunter, ‘Primary School Playground’, designed with soft and hard landscaping elements, 2002.
Photo: Keith Hunter.
Community School of Auchterarder, Perthshire designed after discussion with the architects and landscape architects, including a concrete structure which children can use to play 'houses' or 'shops' as well as a seating or climbing area. Hunter has also incorporated rubber covered hilltop surfaces together with listening and speaking tubes.

Christian Sievers, ‘On Pets and Pests’, image from slide lecture, 2003.

Mike Marshall, ‘Lizard Afternoons’, installation.

Eva Weinmayr, ‘Roadsigns’, enamel on metal, 2003.

One from the series

Christian Sievers, ‘On Pets and Pests’, performance, 2003.

Part of 'Cold Stew' at VTO

Kara Walker, ‘For the Benefit of all the Races of Mankind (Mos, Specially the Master One, Boss)’, cut paper and projections on wall, 2002.

Douglas Gordon, ‘Twenty Four Hour Psycho’, 24 hour video, 1993.
Courtesy: Lisson Gallery.
First shown at Tramway, Glasgow.

‘Urban Planet’.

by a prisoner from HMP Holme House

Susan MacWilliam, ‘Kuda Bux’.

Helen Murray, ‘Loop’.

Marcus Coates, ‘Local Birds’, video still, 2002.

Tom Ellis, ‘Dead Hotel’, wood, MDF, glue and polystyrene, 60x40x40cm.

John Hammersley, ‘Tabula Rasa’, 2003.
Photo: Cath Tarbuck.

Julie Read, ‘Untitled’, projected computer animation, 2003.

Mike Stubbs, ‘Jump Jet’, public projection, 2003.
Photo: John Chapman.

Franklyn Rodgers, ‘Mr Johnson’, photograph, 1999.

Helen Sear, ‘Spot 2’, photograph, 2003.

Yara Elsherbini, ‘God Bless America’, live piece, 2003.
Photo: Manuel Vason.
Part of Ex Centris - Buillerno Gomez-Pena, 'Live Culture', Tate Modern

Yara Elsherbini, ‘Temporary McShelter’.

(Part of a United Nations Survival Kit)

Yara Elsherbini, ‘Temporary McShelter’.

Part of a United Nations Survival Kit

John Goto, ‘Pasturelands’, photograph, 2000-01.

Kara Walker, ‘Endless Conundrum’, (detail), cut paper on wall, 2001.

‘Making Contemporary Art’.

Installation view of Expo Centre.

Gavin Wade (UK), What is Harmonic? 2003 (centre). Howard McCalebb (USA), Global Jungle, 2002 (left). Damian Flares Cortes (Mexico, right).