Page 2518 – a-n The Artists Information Company

Joan Brossa, ‘Mundial (world cup)’, 1986.
Courtesy: Galeria Carles Taché, Barcelona.

Kurt Perschke, ‘RedBall Project’, installation at carrer de Jaume I, downtown Barcelona, 7 July 2002.

Kurt Perschke, ‘RedBall Project’, installation at MACBA Barcelona, 7 July 2002.

Kerry Stewart, ‘Ghost’, cast fibreglass and acrylic paint, 1995.
Courtesy: All images Stephen Friedman Gallery.

Kerry Stewart, ‘They Went on Holiday to France’, jesmonite, enamel paint and iron metal work, edition 2 of 3, 2001.

Kerry Stewart, ‘Sleeping nun’, cast fibre glass and enamel paint, 1995.

Neal White, ‘Inheritance’.

Neal White was the artist in residence at the Human Genome Mapping Project UK resource Centre. He was the first artist in residence at their Hinxton site near Cambridge. The residency was part of the Wider Viewer programme.

Mary Lemley with Gabriel, ‘stills from the work supported by Wellcome's Sciart programme’.

Gabriel is holding the video camera and has unwittingly fiddled with the aperture/shutter setting. What was created from this accident was something very revealing, not about how Gabriel truly sees the world but how he engages with the paintings and how he moves. The video was made this year at the 'Andy Warhol Retrospective' at Tate Modern. A ten-minute section of the work called Seeing Andy was shown at the Science on Screen and Sciart Symposium in Liverpool in September 2002.

Marcus Coates.
Coates created this video work during his residency at Wysing Spring 2002

Dorothy Cross, ‘stills from Jellyfish Lake’, miniDV transferred to DVD, 6 mins, looped, edition of four, 2002.
Courtesy: Firth Street Gallery, London.

Dorothy Cross, ‘stills from Jellyfish Lake’, miniDV transferred to DVD, 6 mins, looped, edition of four, 2002.
Courtesy: Firth Street Gallery, London.

Nam June Paik.
Photo: Hanns Sohn. Courtesy: Staatsgalerie Stuttgart, Sohm Archive.
Project '74', Kö:ln Kö:lnischer Kunstverein, 6.7.1974

Douglas Gordon, 1997.
Photo: Roman Mensing. Courtesy: Gagosian Gallery, New York.

Mona Hatoum, ‘T42’, (fine stoneware in two parts), 1998.
Photo: Michael Molnar.
Exhibition 'In the Freud Museum' 2002. Curated by Darian Leader

Douglas Gordon, 1997.
Photo: Roman Mensing. Courtesy: Gagosian Galley, New York.

Cecile Johnson, ‘Coffee Set A & Bowl, 1994, Five Pitchers’, 1992-93.
Photo: J Hardman Jones. Courtesy: the artist.
('Private View' at The Bowes Museum, Barnard Castle)

Anya Gallaccio, seven felled oak trees, 2002.
Photo: Steve White. Courtesy: Lehmann Maupi.
Tate Britain Sculpture Commission

Allan Kaprow, Cornell University, Ithaca, New York 1964.
Photo: Sol Goldberg #4466. Courtesy: Division of Rare and Manuscript Collections, Corneel University Library.

Anthony Gormley, ‘Insider VI’, (cast iron), 1998.
Photo: Michael Molnar.
Exhibition 'In the Freud Museum' 2002, curated by Darian Leader

Rirkrit Tiravanija, 1999.
Photo: Andrew Lee. Courtesy: The Modern Institute, Glasgow.

Daphne Wright, ‘Still Life – The Green House’, 1995.
Courtesy: the artist.
('Private View' at Bowes Museum, Barnard Castle)

Rirkrit Tiravanija, 1999.
Photo: Andrew Lee. Courtesy: The Modern Institute, Glasgow.

Paul Carter, ‘Transceiver’.
Photo: Alan Dimmick.
Sandblasting text to commemorate the project

Rafael Lozano-Hemmer, Will Bauer, Susie Ramsay, 1997.
Courtesy: Ars Electronic Center.

Paul Carter, ‘Transceiver’.
Photo: Alan Dimmick.
Installing the work in Royston Spire