Page 2520 – a-n The Artists Information Company

Simon Pope, Claudia Schenk, ‘London Walking: a handbook for survival’, 2000.

Emily Allchurch, ‘View from here’.

Marion Coutts, ‘Cult’, 2002.

Nine monitors on nine plinths, installation, Chisenhale Gallery.

‘Scratch, Crackle and Pop exhibition at Phoenix Arts’.

Stacey McCormick, ‘Chain with clover’.
Courtesy: Stephen Lacey Gallery.

Charlotte Hodes, ‘Cacophony’, underglaze, enamel transfer on earthenware.

Vivien Burnside, ‘Dividers’, bronze, stainless steel core and lighting, 8.3m high, 2002.

Sam Haynes, ‘Point 2 point’.

Shadwell Basin, Wapping, London

Andrew Dodds, ‘What can be imagined, can be created’, 2002.

Unknown Writer, ‘Untitled, from series Ten thousand things that breathe’, ballpoint pen on paper.

Paul Harper, ‘Untitled IV’, c-type print, 180 cm x 120 cm, 2000.

‘Image by Benedict Carpenter’.

‘Image by Julia Warr’.

Jessica Voorsanger, ‘This one's about Whiskey’, neon, 2000.
Courtesy: Anthony Wilkinson Gallery, London.

Seamus Nicolson, ‘Sam’, C-Type print, 1996.
Courtesy: The Agency, London.

Joe Magee, ‘A personal history of corruption’.

Michael Dan Archer, ‘Fire and iron’.

Woodmere Country Park, Chesterfield

Miriam Dokotliver, ‘E for I spy’, mixed media on wood.

Susan Sloan, ‘Untitled’, still from moving image.

Joshua Sofaer, ‘Joshua Sofaer’.
Photo: Sarah Ainsley.

Matt Wand, ‘9 volt music (domesticated)’, 2002.
Photo: Paulette Terry Brien.

Matt Wand, ‘9 volt music (domesticated)’, 2002.
Photo: Paulette Terry Brien.

Max Eastley, ‘The humours of stone’, 2002.
Photo: Paulette Terry Brien.

‘Installation view of 'casa, vestido, sustento' exhibition’.

‘The Findo Gask Hall, Perthshire, provides a rural venue for artists to meet’.