Page 2522 – a-n The Artists Information Company

Vanda Playford, ‘Expedient evacuation’.

Vanda Playford succesfully applied to AHRB competition in 2002, in order to research on the Fine Art Phd programme at the RCA, London.

Anya Gallaccio, 1998.
A temporary site-specific work curated by Locus+ at the invitation of Artranspennine 98.

Graham Fagen, ‘The Forest and The Forester (after Maeterlinck)’, 2002.
Courtesy: Graham Fagen.
Image from publication of Fagen's artwork The Forest and The Forester (after Maeterlinck), commisioned by Grizedale Arts in 2002.

Richard Cox, acrylic on canvas, diptych, 168x408 cm, 1999.
Photo: the artist.

Richard Cox, ‘Paintings, Drawings, Object’, installation view, Beamis Gallery, 2001.

‘Studio 5, Bemis Centre 2nd Floor Studio 5’.
Photo: Richard Cox.

‘Bemis Centre for Contemporary Arts, 724 South 12th Street, Omaha’.
Photo: Richard Cox.

Katharine Grosse, ‘Untitled’, 2002.
Courtesy: Ikon Off-site.

Hayley Newman, ‘Performancemania’, peformance image, 1994-1998.

Hayley Newman, ‘Index (from the photographic series Connotations II [Ikon Gallery, 2002]’, appropriated poster exhibited in Melbourne 2002).
Photo: Claire Morales.

Hayley Newman, ‘Soundgaze’, performance, 1999.
Photo: ASA European. © ASA European.

Hayley Newman, ‘Daily Hayley’, 2001.
Photo: Hiroaki Enoki. Courtesy: Matt's Gallery.

Nils Norman, ‘Cleaning the geocruiser’, 2001.
Courtesy: the artist.

Jim Lambie, ‘Voidoid’, 1999.

Mike Nelson, ‘Good Housekeeping - Charity Shop’, 1994.

Lawrence Weiner, ‘Some Moved Pieces of Lawrence Weiner’, gallery talk August 2000.

Joanne Tatham, Tom O'Sullivan, ‘The Glamour’, 2000.

Nils Norman, ‘The Geocruiser (outside Peckham Library)’, 2001.
Courtesy: the artist.

Tanya Axford, wallpaper, garden canes, string and hooks, 2001.
Photo: Steve Collins. © Locus+ Archive.

Tanya Axford, paint cards, pins, carpet, and angle poise lamps, 1999.
Photo: Alan Stott.

Tanya Axford, pegs, hanging baskets, hooks, 2001.
Photo: Colin Davison.

Scott Myles, ‘Revolving upside down’, video on upturned monitor on floor, 1998.
Courtesy: the artist and the Modern Institute.

Emily Rose Faludy. painting of kate, stage 6, UNFINISHED

Bob Matthews, ‘Hut’, digital cibachrome, 2001.

Susan Pietzsch, ‘Sugar shoe, sugar & gold’.