Page 2524 – a-n The Artists Information Company

Paul Malone, ‘Mars precis - rubble’.

Jonathan Griffin, ‘Platform for self elevation’.

Elpida Hadzi-Vasileva, ‘Kielder Forest’.
Photo: Mark Pinder.

Peter J Evans, ‘Photosynthesis’.

Markus Copper, ‘Archangel of the seven seas’, (detail).

Robert Orchardson, ‘Ghost in the machine’, oil on foamed PVC, 2002.

Lesley Wildman, ‘Hielo’, Borocilliate glass rods, white enamel, brushed aluminium, 2002.

Maria Marshall, ‘Cyclops’, film still, two-channel projection, sound, colour, camera original: 35mm, 2001-2002.

Paul Thek, ‘L-Column’, 1966.

From the series 'The Technological Reliquaries'

Urs Fischer, ‘Apple-Pear’, 2000.

Exhibition view, Institute of Contemporary Arts, London

Alf Lohr, ‘The paint drips to make snakes and upside down monkeys’, Watercolour on paper, 2001.

Alison Watt, ‘Sabine’, (detail).
Courtesy: Ingleby Gallery.

Cathy Littlejohn, ‘Encounter’, graphite on paper (detail), 2002.

Alexandra Abraham, (painting interpreting poem by Jonathon Adams), dyes and gilding metal on perspex, 45x45cm.

Steven Barrett, ‘I Want It!’, (sticker numbers 50-100), installation.

Tony Stallard, ‘The Frankenstein Project’, The Frankenstein Project.

Pascale Marthine Tayou, ‘Installation’.
Photo: Max Andrews.
25th Bienal de São Paulo

Hermann Pitz, ‘São Paulo created from telephone directories’.
Photo: Max Andrews.
Part of ARTECIDADEZONELESTE

Dias & Riedwig, ‘Project with market stall owners in Largo da Concordia’.
Photo: Max Andrews.
Part of ARTECIDADEZONELESTE

Sally Cartwright, ‘Mini’, hand-woven cotton and viscose, 160x60cm.
Photo: Lynn Medwell.

Sally Cartwright, ‘Linking units’, woven fabric trapped between etched perspex, 16x16cm each.
Photo: Lynn Medwell.

Gaia Persico, ‘Sketch of hotel room’, installation for 'EASTinternational', 2002.

Gaia Persico, ‘Lonely Planet’, 13x18.5x5cm, 2002.

Winslow Craig, ‘The Forest Keeper’.

Christine Warrington, ‘Untitled’.