Page 2524 – a-n The Artists Information Company

Khalil Ghulamali, ‘photo’.

Pedro Cabrita Reis, ‘A place like that (foreground), Cabinet d'amateur #2 (background)’, 2001.
Photo: Colin Davison.

Michael Marriott, ‘installation view’.

James Ireland, ‘Foreground: Untitled 1, Background:All of my dreams’, wooden chair, glue, and; mirror, fluorescent light, shelf, twig, brackets, book pages, tape, 60x80x55cm and 100x120x32cm (repectively), 2002.
Photo: the artist. Courtesy: f a projects.

Jennifer Wright, ‘Shrinking violet’, digital print on cotton, installation view.
Photo: Jerry Harman-Jones.

Pieter Kusters, ‘Untitled (after H.Bosch)’, ceramic, majolica, 80x55x48cm.
Photo: the artist.

Adam Colton, ‘Lust’, glazed ceramic, 32x84x23.5cm, 1994.
Photo: Tom Haartsen.

Eve Dent, ‘Anchor #3’, May 2002.
Photo: Mike Young.

Eve Dent, ‘Just below the surface’, 1999.
Photo: Maura Hazelden.

Gereon Krebber, ‘Tin’.

Krebber won the 2003 Jerwood Sculpture Prize.

Blast Theory, ‘TRUCOLD’, video still, 2002.
© Blast Theory.

Blast Theory, ‘Desert Rain’.
Photo: Dirk Hassaker. © Blast Theory.

Blast Theory, ‘Kidnap’.
Photo: Gregorio Pagliaro. © Blast Theory.

Scott Myles, ‘Ice-Cream paperweight’, (brown, pink, white, taupe), bronze, cellulose paint, 2002.
Courtesy: the artist and The Modern Institute.

Rona Lee, ‘the encircling shadow’, 2001.

Ivan Smith, ‘Mask’, 2001.

exhibited at 'Art Camp Tihany', MAMÜ Gallery, Budapest, Hungary, 2001, and at 'Snap Shot', University Gallery, University of Derby, 2002

Ivan Smith, ‘toe the line...’, Installation at MAMÜ Gallery, Budapest, Hungary., 2002.

Ivan Smith is the Fellow in Sculpture at University of Derby, funded by the Henry Moore Foundation.

Ian Davenport, ‘Poured Lines’.

Vanda Playford, ‘Was I clean enough?’.

Vanda Playford, ‘Case 1, Theatre 4’, digital video still, 2002.

Vanda Playford, ‘Expedient evacuation’.

Vanda Playford succesfully applied to AHRB competition in 2002, in order to research on the Fine Art Phd programme at the RCA, London.

Anya Gallaccio, 1998.
A temporary site-specific work curated by Locus+ at the invitation of Artranspennine 98.

Graham Fagen, ‘The Forest and The Forester (after Maeterlinck)’, 2002.
Courtesy: Graham Fagen.
Image from publication of Fagen's artwork The Forest and The Forester (after Maeterlinck), commisioned by Grizedale Arts in 2002.

Richard Cox, acrylic on canvas, diptych, 168x408 cm, 1999.
Photo: the artist.

Richard Cox, ‘Paintings, Drawings, Object’, installation view, Beamis Gallery, 2001.