Page 2528 – a-n The Artists Information Company

‘Art Unlimited’.
Photo: Beverley Hood.

Paul Housley, ‘Quiet lady of the woods’, oil on canvas, 91x122cm, 2002.
Courtesy: 'Liste'.
(showing with Nylon, London)

Skip Arnold, ‘Grüezi’, performance, 2002.
Photo: Beverley Hood.
(showing with Brownstone Gallery, New York)

Langlands & Bell, ‘Frozen sky’, digitally controlled neon, associated electronic components on white board and aluminium frame, 1999.
Photo: Anthony Oliver.

‘Langlands & Bell, 2002’.
Photo: Justin Leighton.

Langlands & Bell, ‘Eclipse’, installation view, wood, steel, lacquer, 1998.
Photo: Jerry Hardman Jones.

Langlands & Bell, ‘The kitchen’, detail, found objects multi media, 1978.
Photo: the artists.

‘video’.

Art Surgery

‘video’.

Art Surgery

‘video’.

Art Surgery

‘video’.

Art Surgery

‘video’.

Art Surgery

Cecile Johnson Soliz, ‘Property of a lady’, work in progress.

Janie Kidston, ‘Don't make me nervous’.

Louise Short, ‘Somewhere circa 1960’, (in four parts).

Matthew Houlding, ‘Exclusive waterfront development opportunity’, 2002.
Photo: Paul Stone.
'EASTinternational'

Ally Wallace, ‘Pixilation’, suspended lighting gels, 2001.
Courtesy: the artist.
Installation at The Queen of Hungary coinciding with the opening weekend of 'EASTinternational'

Matt Davis, ‘Football ground 3’, enamel paint on board, 122x122cm.
Courtesy: the artist.

Clare Iles, ‘installation view, 'EASTinternational'’, 2002.
Photo: Paul Stone.

Daniel Milohnic, Dirk Paschke, ‘Tentacles’, 2002.
Photo: Paul Stone.
Installation at Chantry car park, Norwich, 'EASTinternational'

Tamsin Cunningham, ‘handmade paper’, (detail).

Cunningham's artwork is displayed on www.art-for-sale-online.co.uk

Annika Reed, ‘Butterfly 1’, digital print, 2002.

Reed's artwork is displayed on www.art-for-sale-online.co.uk

Tony Stallard, ‘Double helix’, detail, stainless steel and neon, 1998.

Commission for Paddington Arts Centre. Stallard's artwork can be found on www.newartportfolio.com

‘advertising hoarding’.

ABC project

James cattell, ‘18:1-7: The crypt’.