Page 2530 – a-n The Artists Information Company

Paul Harper, ‘Untitled IV’, c-type print, 180 cm x 120 cm, 2000.

‘Image by Benedict Carpenter’.

‘Image by Julia Warr’.

Jessica Voorsanger, ‘This one's about Whiskey’, neon, 2000.
Courtesy: Anthony Wilkinson Gallery, London.

Seamus Nicolson, ‘Sam’, C-Type print, 1996.
Courtesy: The Agency, London.

Joe Magee, ‘A personal history of corruption’.

Michael Dan Archer, ‘Fire and iron’.

Woodmere Country Park, Chesterfield

Miriam Dokotliver, ‘E for I spy’, mixed media on wood.

Susan Sloan, ‘Untitled’, still from moving image.

Joshua Sofaer, ‘Joshua Sofaer’.
Photo: Sarah Ainsley.

Matt Wand, ‘9 volt music (domesticated)’, 2002.
Photo: Paulette Terry Brien.

Matt Wand, ‘9 volt music (domesticated)’, 2002.
Photo: Paulette Terry Brien.

Max Eastley, ‘The humours of stone’, 2002.
Photo: Paulette Terry Brien.

‘Installation view of 'casa, vestido, sustento' exhibition’.

‘The Findo Gask Hall, Perthshire, provides a rural venue for artists to meet’.

‘Discussion with Malcolm Dickson and Iseult Timmermans at Street Level Gallery, Glasgow’.

‘The convoy of cars reaches the Quirang summit on the Isle of Skye.’.

Tim Jackson, ‘Candle’.
Photo: Synth/Ops Research Group.

Tim Jackson, ‘Candle’.
Photo: Synth/Ops Research Group.

Gabriella Kardos, Don Foresta, ‘OHM’.
Photo: Gabriella Kardos.

‘Art Unlimited’.
Photo: Beverley Hood.

Paul Housley, ‘Quiet lady of the woods’, oil on canvas, 91x122cm, 2002.
Courtesy: 'Liste'.
(showing with Nylon, London)

Skip Arnold, ‘Grüezi’, performance, 2002.
Photo: Beverley Hood.
(showing with Brownstone Gallery, New York)

Langlands & Bell, ‘Frozen sky’, digitally controlled neon, associated electronic components on white board and aluminium frame, 1999.
Photo: Anthony Oliver.

‘Langlands & Bell, 2002’.
Photo: Justin Leighton.