Page 2534 – a-n The Artists Information Company
Dorothy Cross, ‘stills from Jellyfish Lake’, miniDV transferred to DVD, 6 mins, looped, edition of four, 2002.
Courtesy: Firth Street Gallery, London.
Nam June Paik.
Photo: Hanns Sohn. Courtesy: Staatsgalerie Stuttgart, Sohm Archive.
Project '74', Kö:ln Kö:lnischer Kunstverein, 6.7.1974
Douglas Gordon, 1997.
Photo: Roman Mensing. Courtesy: Gagosian Gallery, New York.
Mona Hatoum, ‘T42’, (fine stoneware in two parts), 1998.
Photo: Michael Molnar.
Exhibition 'In the Freud Museum' 2002. Curated by Darian Leader
Douglas Gordon, 1997.
Photo: Roman Mensing. Courtesy: Gagosian Galley, New York.
Cecile Johnson, ‘Coffee Set A & Bowl, 1994, Five Pitchers’, 1992-93.
Photo: J Hardman Jones. Courtesy: the artist.
('Private View' at The Bowes Museum, Barnard Castle)
Anya Gallaccio, seven felled oak trees, 2002.
Photo: Steve White. Courtesy: Lehmann Maupi.
Tate Britain Sculpture Commission
Allan Kaprow, Cornell University, Ithaca, New York 1964.
Photo: Sol Goldberg #4466. Courtesy: Division of Rare and Manuscript Collections, Corneel University Library.
Anthony Gormley, ‘Insider VI’, (cast iron), 1998.
Photo: Michael Molnar.
Exhibition 'In the Freud Museum' 2002, curated by Darian Leader
Rirkrit Tiravanija, 1999.
Photo: Andrew Lee. Courtesy: The Modern Institute, Glasgow.
Daphne Wright, ‘Still Life – The Green House’, 1995.
Courtesy: the artist.
('Private View' at Bowes Museum, Barnard Castle)
Rirkrit Tiravanija, 1999.
Photo: Andrew Lee. Courtesy: The Modern Institute, Glasgow.
Paul Carter, ‘Transceiver’.
Photo: Alan Dimmick.
Sandblasting text to commemorate the project
Rafael Lozano-Hemmer, Will Bauer, Susie Ramsay, 1997.
Courtesy: Ars Electronic Center.
Paul Carter, ‘Transceiver’.
Photo: Alan Dimmick.
Installing the work in Royston Spire
Janet Cardiff, 1999.
Photo: Gerrie van Noord. Courtesy: Artangel.
Janet Cardiff, 1999.
Photo: Gerrie van Noord. Courtesy: Artangel.
‘A project run by Tin Productions (Dance development) and a Creative Partnership school in County Durham’.
Photo: Keith Pattison.
Marijke van Warmerdam, 35mm film-loop, 1995.
Courtesy: the artist.
permenant installation Schiphol Airport
Conrad Atkinson, ‘Landescape, hand’, digitally altered photograph, commissioned in 1996, reprinted 2000.
Conrad Atkinson, ‘Excavated Mutilations’.
installation shot
Graham Fagen, ‘Where the Heart Is (Hybrid Tea Rose #1)’, bronze (detail), 2002.
Photo: Alan Dimmick.
Victoria Morton, ‘Countenance’, 2002.
Conrad Atkinson, ‘Excavated Mutilations’.
© the artist.
installation shot
Conrad Atkinson, ‘Excavated Mutilations’.
installation shot